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      April 24, 2021Hitch-HikingGretchen Steele Pratt

      for my sister

      I let you do the talking,
      knew it was your
      blonde hair blanched white with saltwater
      They pulled to
      the crab-grassed shoulders of Corn Neck Road
      for.
      You did the talking,
      invented places
      for them to take us. I saw my face
      In the rearview mirrors
      a hanging crystal hurt
      my eyes. A station wagon
      Its mats caked
      with horseshit, warm cans of beer
      for us to hold between our knees
      The matches
      that wouldn’t light in the wind
      of a backseat. The minivan doors
      Slid open babies opened
      their eyes fell back to sleep
      in the air-conditioned sunlight.
      Surfboards knocked me
      in the temples
      bandanas tied around the boys’ necks.
      I don’t remember any music
      Just your
      Who sings this? your calm elbow
      Out the window
      and pickup trucks with
      full cans of gas to sit on. The doors opened
      And there were dreadlocks
      dripping held together
      with a rubber band and Who sings this? and
      An old woman
      with buckets of seaweed
      crawling with baby crabs or
      The voice of a teenage boy
      too thin
      I live in an abandoned barn
      Or a gutted van
      white plastic kitchen chairs for
      us to sit on and doors dented by deer.
      Your calm elbow.
      A hatchback in the parking lot of Mosquito Beach
      slap of water
      Against the hulls
      an old sunset your tan shoulders
      lift from the driver’s window turn
      Give me the okay
      to get in
      and what could you sound like?
      There was a fever of car doors
      opening and slamming all over
      the island that summer, everything
      Out the window blowing by in
      the white light
      of our going. Who sings this?

      from #28 - Winter 2007

      Gretchen Steele Pratt

      “When I first started writing poems, I read a letter (in a book) that I believe was from James Wright to Richard Hugo—I can’t be sure because I have never been able to find the letter again. The letter was written while Wright was on vacation and he describes a particularly beautiful night to Hugo. It is implied that the night was too beautiful for Wright to ever write a poem about and so he was giving the details to Hugo in case he could use them. I will always remember how Wright graciously offered up these details to his friend—he said, ‘Here are some fragments of my hammer that broke against a wall of jewels.’ Although I have never been able to locate the letter, this quote has remained at the forefront of my mind and always reminds me why I love writing poems.”