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      April 12, 2011Holy CatsDian Duchin Reed

      Say you’re lunching on a bench near the creek
      when three strays waylay you. The dainty
      calico and two brindled males take turns
      fuzzing your ankles, elbowing your elbows.
      It occurs to you that these are copies of the cats
      the goddess of Liberty used to reach down
      to pet, the ones the Romans always pictured
      at her feet. These are the very cats’ eyes
      Egyptians mimicked with makeup, the eyes
      of their cat-headed goddess Bast, whose symbol
      was the sun. As you toss them small pieces
      of your sandwich, you wonder if it could be Bast
      who’s sent you this sunny Sunday, so unlike old
      man Saturn, who provided yesterday’s saturnine
      Saturday fog. The more you think about it,
      the more you wish the national weather service
      would bypass Monday’s moody Moon entirely—
      along with Tiu, Woden, and Thor—and appeal
      directly to Friday’s Freya, Norse goddess of
      accurate prophecy … all white furs, platinum hair,
      and cobalt eyes, her chariot drawn by two large,
      gray cats. And suddenly you remember an old
      Chinese tale in which cats once ran the world,
      until they decided it was too much bother.
      That’s when you stepped in, another story.
      Say you get up now and go back to work.

      from #26 - Winter 2006

      Dian Duchin Reed

      “Writing poetry for me is like watching a developing photograph—what was nebulous before suddenly gains clarity and focus. This process helps me make sense of a world full of mystery and then share these revelations with others. Sure, a picture may be worth 1,000 words, but a good poem uses words to take us beyond words … invaluable.”