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      August 23, 2016How People EndSusan Comninos

      up married or not, or dead
      or cramped in a crisis
      of denouement: an atomic
      shrill of insight, landing
       
      post-crisis, limp
      and late, after the ash.
      Grilled into sight, landing
      like denouement’s atomic.
       
      Late fingers of ash
      brush to formation: a peacock
      of denouement. Atomic
      as raised blue veins
       
      of rush, as pea-cocked
      as foolish feathers, empty.
      If raised blue veins are
      quills, are bones of no weight,
       
      foolish as feathered blood, emptied
      for space—how’s the crush
      from quills, bones, the weight
      of the terrible, released?
       
      Out for space, we squeeze
      our own reckless organs.
      Terrible, released
      by freedom, we skirt a ruined sky.
       
      Our organs play
      the push towards
      away, the lewd sky
      lumbering past. Elephants
       
      keen the push
      on disaster. While we
      lumber past, our
      massive, veined ears flap.
       
      Disaster, what’s
      invented for us: a show of air?
      Massive, veined ears flap
      applause. Worship
       
      invention, a show of air,
      a dry dust dropping
      to applause. Our denouement?
      It’s married or not, and dead.

      from Poets Respond

      Susan Comninos

      “This poem was written in the wake of an August 14th op-ed in the New York Times on American nuclear weapons policy. It’s rare that I even try to write a political poem because—to my mind—it’s nearly impossible to make a preachy poem into a readable poem. (And by readable, I mean: bearable.) So, although ‘How People End’ claims to talk about nuclear war, that’s really a conceit. The poem’s not so much about literal destruction, but more about emotional waste. It tries to understand what comes at the end of a life of avoidance, other than a finial of nothingness.”

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