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      December 1, 2010How to Keep HerDevika Brandt

      Some Japanese send their dead to the mountains
      where they can be spoken to, they keep a house altar
      as interpreter, a place for conversation, to ask advice,
      or lay out troubles. Painted bowls brim with rice

       

      as compensation. My mother’s ashes are capped,
      stored in a porcelain urn inside a plastic box
      that’s sealed, tight, against investigation.
      My brother and I want to take some out, to keep

       

      our own stash, but it’s illegal to parcel out your mother.
      Only the mortician can scoop her, not family. Perhaps
      we are too close to touch, who knows which body part
      might smudge beneath the fingertips. So intimate

       

      to separate her pieces. The tulips near her picture
      begin their forward lean. They have opened wide
      in the warm room, one she only sat in once, edging
      ever closer to the fire where she pulled at the swollen joints

       

      of her fingers. Even that day, as we spoke, we continued
      to misunderstand. Today I mailed her tea towels
      to someone else’s mother, some with birds stitched on them,
      their colors the deep green of hills when you see them from far away.

      from #33 - Summer 2010

      Devika Brandt

      “The death of my mother was a brutal poem, one that I write again and again as I try to make sense of that experience. I write my poems to honor our tenuous and fragile hold on life.”