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      July 3, 2017I Have ConfidenceEmily Sernaker

      Before every job interview, I think
      of Julie Andrews swinging her suitcase,
      singing “I have confidence”
      in The Sound of Music.
      She really psyches herself up
      in that silly hat, clicking her heels
      beside a yellow wall; body diagonal
      in the air with hope. The Red Cross
      lobby had big marble displays,
      hands chiseled holding onto each other.
      I liked the interviews there, all that
      Clara Barton history, plans for unplanned
      catastrophes. It was a big change
      from the San Francisco start-up.
      Oak boardroom table, one
      of those rooftop views, vending machines
      with Guinness and chocolate milk.
      The Bay Area was looking good:
      cats named Billie Holiday,
      quilts spread over Dolores Park.
      Everyone was eating kale, handing me
      drinks in mason jars. I had a hotdog
      in New York. Sat in the Marc Chagall
      conference room of a Refugee Relief Agency.
      Because you guys resettled him right?
      It was a terrific story. Fifty Americans saved
      2,000 artists, intellectuals from the Nazis.
      Their board member went on Ed Sullivan,
      convinced the public to help more.
      That group eventually hired me
      but not for a few years and not
      in that city. How fast can you input data?
      You look like you’re waiting
      for the principal’s office. All I trust
      I lead my heart to. All I trust becomes
      my own. I have confidence
      in confidence alone. A bird shit on me
      in Manhattan. I wiped it off,
      was still wearing a black dress in a big city.
      I bought a slice of cheesecake,
      used an old student ID for a nosebleed ticket
      on Broadway. The audience was full
      of student choirs. One boy couldn’t help it:
      as we were taking our seats,
      he sang a few lines of
      “I’ve Been Working on the Railroad.”
      He just wanted to hear
      what his voice sounded like,
      reverberating through a place like that.

      from #55 - Spring 2017

      Emily Sernaker

      “I will always be glad to have a Coke with Frank O’Hara, pump gas beside Dorianne Laux, listen to Li-Young Lee’s father tell a story. Poetry teaches me precision and offers clarity. There is nothing else like it.”