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      November 17, 2017I Say Cathedral When I Mean GunpowderWilliam Evans

      Over winter break, Frank put a shotgun
      in his mouth and killed himself in his mother’s
      home, which was not his home, but I can under-
      stand not wanting to die in a place you’re not sure
      will care for your bones after you’ve left them.
      Maybe break is a generous word because I was
      back in the home my father had left and I was
      never going back to school, but ghosts have
      a way of knowing where all keys are hidden,
      what kind of pacification the most guarded
      beasts will submit to. It is 2 a.m. and a person
      I have left behind is telling me someone I had
      lived with is trapped behind the present tense
      forever. Now it is four days later and I am
      in my best clothes driving into Fairfield County
      where I was once called nigger on the baseball
      field, where I once needed a coach to walk
      with me to the bus to avoid my own purging
      and a teammate told me that it wasn’t because
      I was Black, but because I was that good,
      because I was not old enough to be two
      things at one time yet. Frank loved Wu-Tang
      and once argued me who had the best verse
      on Triumph, but no one at this funeral knows
      this story, at least not the part where Frank
      once kissed my forehead at a party while
      we re-enacted Ghost and Rae over the music
      too loud for anyone to be truly sober that night.
      There is a humming here, whenever another
      mourner approaches me, with a trespass glare
      and I hope that Frank knows that I came here,
      again to a tree that looks at my neck and misremembers
      gravity, to see him lowered into the world that
      tries to claim me, each and every day. I don’t want
      him to see me as brave, but to know that I, too,
      understand what it means to walk into a cathedral
      and hear every lock turn behind you, that the stained
      glass is sometimes just light born in a better neighborhood
      and I can still smell the gunpowder you swallowed every time
      I startle a flock of birds, that will never again be still.

      from #57 - Fall 2017

      William Evans

      “I think being from the Midwest is a unique negotiation for a writer as I often find myself putting forth an idea that isn’t so much profound as it is making a statement of awareness for readers. I often feel that the aesthetic of many poets outside of the Rust Belt is an affirming action that confirms or reinforces what we may believe about the location already. In my part of the country, I think the writers are often defending their home. It’s a pursuit of not only relevance but of reverence of where our voice fits in the national conversation. This poem, ‘I Say Cathedral When I Mean Gunpowder,’ feels particularly Midwest when it encounters the shifting environments, hard-to-penetrate culture, and realities of what being in the middle of the country demands.”