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      April 15, 2019In Charlottesville After CharlottesvilleCourtney Kampa

      Tonight they’ve hung up lights in lilts across 2nd
      and Water Street on the downtown mall, a Christmas choir
       
      singing Oh Holy Night—twenty-four people lined
      against the painted brick wall, its peeling curls—the wall
       
      Will knelt beside on one knee, face full of fear, a sidewalk of gum
      and toppled ice cream, to ask if I could always call him
       
      mine—the same wall we crouched against in August,
      shielding our heads with our arms, our bags, our books,
       
      whatever we brought along that might protect us
      from the rocks and spit they threw,
       
      their emptied tear gas canisters hurled by arms roaring
      with blood, their faces doing that angry Goya thing
       
      with the colors. My mother called hours
      after Heather breathed last, called
       
      to make sure our front door was locked;
      that I remembered tomorrow was a Holy Day
       
      of Obligation, and if I didn’t go to church it would be
      a mortal sin. Her own version of danger. That time in August
       
      flowers weren’t blooming but there was one frail rose
      on our rented front yard, and we could see it
       
      from the upstairs window, the rose, but also
      the gunmetal gray Dodge, plate GVF 1111, three houses
       
      down, abandoned and blood-caked from taking
      Heather’s life and mowing over others, full throttle forward
       
      then revved into reverse, the steel front bumper
      severed, like two arms bent, palms up
       
      and sorry. A car to take a person places, not to take
      someone away, and at the window Will became more beautiful
       
      to me, his fingers on the glass, all of them his. Now, sort of,
      mine too. The driver ran into the woods to crouch
       
      and hide out like a squirrel. We walked our dog
      through those woods that morning, green
       
      and lush, as if beauty’s sole defense
      is to always just be beautiful. On that Feast of the Assumption
       
      Charlottesville opened their eyes as if a body
      punctured. Tiki torches on fire. Adult children playing
       
      with their fathers’ guns. There is a sound a body makes
      when bounced off the hood of a car
       
      that no one should hear. Tonight snow falls
      peacefully, and the choir sings Fall
       
      on your knees, and because we have nothing else to give, we do.

      from #62 - Winter 2018

      Courtney Kampa

      “Charlottesville is where I fell in love, both with the man I married and also with writing, as a student at UVA. Everything I am thankful to have, I owe to Charlottesville. It’s difficult to fully express. That affront to everyone’s humanity was not just evil, but deeply personal. It was in our backyard, and the backyards of those I love so utterly much. So I wrote the poem. It took five months to make sure that what I had written had done its best little attempt to get it okay. It’s still not okay, and it never will be.”