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      December 1, 2021Joe ArridyJoseph Fasano

      1915–1939—“young American man known for having been falsely accused, wrongfully convicted, and wrongfully executed for the 1936 murder of a fifteen-year-old girl in Pueblo, Colorado … Arridy was severely mentally disabled and is believed to have made a false confession. He received a full and unconditional pardon seventy-two years after his death.”

      This morning they took my train away.
      I hear the birds
      singing in the garden.
      Why do they always have to sing?
       
      I tell them Joe won’t die.
      No one believes me.
      They take my train away.
      And the stupid birds keep singing.
       
      They sit with me and tell me
      to tell my story.
      Tell what happened to the girls.
      When I forget,
       
      they tell me my story.
      It’s like a game and it’s funny.
      Like the time daddy
      locked me in the garden shed
       
      so he could visit with mom.
      Visit means tickle
      and it makes a strange sound.
      A strange sound makes me alone and that’s bad.
       
      They give me my train back.
      The wood is so soft.
      I soaked it in the toilet
      so I can cut my name in there with my fingernail.
       
      I cut the names of mom and daddy, too.
      And Frank, who hurt the girls.
      They told me if I tell them
      I was Frank when he hurt them
       
      I could see the new kitten.
      Now he’s on my train. Now he’s me.
      Now the moon shines on the floor
      like the milk I got in trouble for
       
      and that’s bad.
      I try to clean it up but it’s not real.
      I try to tell them
      I’ll clean up what I did but they say it’s real.
       
      The new kitten is nice.
      She has a white tail and the warden’s wife
      holds her when I stroke her.
      She says things to me in kitten
       
      and that’s not bad.
      A lot of things are not bad.
      Like the sun and the moon.
      And the stars. Really the stars.
       
      I saw them once from that great big train
      in Wyoming
      and that was not bad.
      I can still close my eyes and see them sometimes a little bit always.
       
      I remember mom’s pearls
      when she tucked me in and I was sick.
      I told her they were like the stars.
      She said that’s nice Joe be quiet go back to sleep always so I did and I will and I do.
       
      I think probably
      if I think about it
      and I do think about it
      I’ve been asleep a long time maybe forever a little bit always.
       
      Maybe when the warden touches me
      it hurts because it hurts to be asleep.
      Maybe everyone else is awake
      and that’s bad.
       
      Ice cream in the morning is not bad.
      Ice cream in the morning is very good.
      I tell them Joe won’t die and
      that’s good. They say
       
      that’s good, that’s good,
      and they smile so it must be true.
      Last night
      the warden’s wife let me hold the kitten
       
      on my own.
      She cried when I held it so I don’t know why.
      Then she said
      it will be quick, Joe, you know that, don’t you?
       
      I said oh yes everything is quick.
      Your eyes are quick your lips are quick
      your lipstick is quick your voice and your heartbeat too.
      She smiled and smiled.
       
      But probably she meant the kitten growing up a little.
      Things grow up so quick
      mom always says and some things
      don’t last forever.
       
      Daddy threw her clothes in the yard sometimes a lot
      and I had to go get them.
      It was like picking up pieces of the moon I don’t know.
      But it was like that. It was like that all the time.
       
      Why are you sad Mrs. Warden.
      Why are you sad Ms. Kitten.
      Why are you sad Mr. Milk.
      Why are you sad Master Moon.
       
      They say my name will last forever
      and I say that’s good and they say
      no that’s bad. So I don’t know.
      Maybe there’s nothing to be sad about maybe sometimes a little bit always.
       
      I have a picture of mom and daddy
      that’s made up so no one can take it away.
      I keep it in the pocket of my striped shirt over
      my heart and that’s good. That’s very good.
       
      They tell me the time is one hour to go.
      But to go where
      no one will tell me.
      They take my ice cream away. They take
       
      my train away. They take
      all the names on it away and my picture
      in my pocket and also the kitten which is bad.
      I think if she could talk
       
      she would tell me I don’t have to be sorry.
      But I am sorry.
      I’m sorry I ever hurt those girls
      even if I didn’t hurt them ever
       
      because when you’re sorry then a thing didn’t happen.
      I don’t want that thing to happen.
      I don’t want any thing to happen.
      Can I tell you something else
       
      if you really want to know
      I’m a little bit scared sometimes always
      but then the warden comes and holds my hand and that’s good.
      I think he’s coming to hold it again now.
       
      I hear the birds singing. I hear
      the sun and the moon and my train
      falling down the stairs.
      I hear the kitten talking in the dark
       
      and her voice won’t always be like that because
      things grow up so quick you hardly know them anymore.
      And the birds stop singing.
      And the moon stops spilling.
       
      And my name is famous I am
      very famous and the birds sing and the moon spills
      and the Man comes with the black mask to talk to me maybe
      about the kitten.
       
      It won’t be quick, he says. It won’t be quick.
      But I know that.
      I know.
      Why do people tell each other’s stories?

      from #73 – Fall 2021

      Joseph Fasano

      “I rarely remark on one of my own poems, but it occurs to me to say that ‘Joe Arridy’—which at first glance may appear a rather unusual poem, in a rather unusual voice—makes its way toward a question, in its final line, that attempts to recover the humanity in our current cultural conversations about the appropriateness of attempting to inhabit someone else’s voice. It is indeed a nearly impossible act, indeed often a kind of transgression, but it is precisely that crossing over into the lives of others by which we live.”