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      January 30, 2014John Berryman Used to SwayDonna Spector

      or lean into a corner when he read Yeats
      and Cummings. He still suffered
      from malaria, he said, but he could dissect our dreams
      like a surgeon looking for the heart
      of the matter, which was always sex. I was just
      eighteen and easily offended. When he took me
      to the Steppenwolf, our student bar,
      I tried to argue lust into some other universe,
      but I was pretty and silly in my fake
      Oxford accent, and he said, Be quiet.
      And, studying my poems as though they were
      worth his attention, Remove all articles
      and conjunctions
      . I remember a line:
      where the fires fall.

      Blue fires, he said. You understand?
      I didn’t, but I loved him, memorized haiku
      in Japanese for him, Dante in Italian.
      On New Year’s Eve I drank wine with him in his
      tiny Berkeley apartment. He gave me
      a handwritten Henry poem and asked me
      for a dream. I can’t, I said, holding my inner
      life away. All I need is one word,
      he said. Just one word.

      from #29 - Summer 2008

      Donna Spector

      “I’m a playwright as well as a poet, and even though I’ve been involved in theatre since the late ’60s when my improvisational troupe, Dementia, performed in Berkeley and San Francisco, my first love has always been poetry. I started writing poems in my adolescence, after my father, a poet, began to read Shakespeare to us at the dinner table. At U.C. Berkeley I was encouraged by John Berryman, and later, Robert Hass, Brenda Hillman; Galway Kinnell and Sharon Olds were my mentors at Squaw Valley; through them I understood that poetry demands my deepest and truest voice. Since 1988 my students and I have participated in the Geraldine R. Dodge Poetry Festival in Waterloo, New Jersey, where we’ve been inspired by extraordinary poets from around the world.”