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      June 30, 2022Laparoscopy, or a Half-BirthGabriella Graceffo

      Image: “El Camino de Esmeralda” by Danelle Rivas. “Laparoscopy, or a Half-Birth” was written by Gabriella Graceffo for Rattle’s Ekphrastic Challenge, May 2022, and selected as the Editor’s Choice. (PDF / JPG)
      At Pleasure Pier, two girls plunge
      into the sea, the gulf swallowing
      the pink-skinned little pills
      of their bodies as I sand my calves,
      watching the slash of polka-dot
      tween bikinis disappear in gray water.
      A little high on propofol, I explore
      the arcade of myself, the paddles
      and pinball lights and openings:
      three keyholes a surgeon cut to reach
      the cyst in my left ovary, a mouth
      that traps sound like a billiard pocket,
      that trapped the answer to Want to keep it?
      as the nurse presented the clotted mass in plastic:
      naked, with milk teeth and hair,
      staring out like it wanted something.
      Was it a birth, a child made only of myself?
      I flip the answer over and over
      in my hand like a beach stone,
      never quite deciding which side
      feels best to touch. The two girls
      surface, squawking frigid delight,
      and when they dive back into the water’s
      throat, I realize this is how loss can feel:
      not the slow suck of stomach acid through a straw
      with a cocktail umbrella someone placed
      out of pity, but a blue afterimage
      that bites the retina with its gums,
      no teeth, not even dentures borrowed
      from some other grief, just a wet reminder
      of something suddenly gone.

      from Ekphrastic Challenge

      Comment from the editor, Timothy Green

      “A painting as wildly vivid as this deserves a poem that can match it, and Gabriella’s manages to with the ‘arcade of myself’—what a great word. The poem is visually rich, full of excellent lines and line breaks, and discovers something profound in the process. Who could ask for more?”