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      May 1, 2011Lively LipsKristen Dewald

      Thinking of Nadia’s execution by drowning

      I remember the times red-faced, ashamed, seen, seen doing
      whatever. What teenagers do. I suffered embarrassment.
      It was a real world.
      Tolerant.
      Take a breath.

       

      Which way were you facing? For how many minutes did you live?

       

      From the bottom of the pool, where she drowned,
      a broken, subaqueous spirit stumbled up and over
      the chains her father wrapped her in, pushed her in.

       

      She was his daughter. Seventeen.

       

      I was a teenager in America.

       

      We were taught the consequences.
      The consequences had to do with pregnancy.
      The war was on conception.
      Everyone has the right to speak.
      Welcome to freedom,
      late 1980s, United States of America.

       

      It points in all directions.
      Glares.
      Bludgeons.
      That club swinging near this club.
      Assertions voiced on every wavelength, every decibel.
      Even paper airplanes, pointing things themselves, can make the distance.
      It may just sting a little at first, salt spray from this seashore.
      Little poke.

       

      Inside a different kingdom the laws break, accrue
      perverse slush. Read the book. The story in my hands.
      Inside another kingdom they broke you, drowned you
      in clear water, in clear daylight.
      Late Friday morning execution. Family audience. Single, fiery spirit
      snuffed out.
      Unadulterated blossom.
      Young, daring stem, pushing upwards and out.

       

      The crime? A girl’s club, Lively Lips. Offense? Flirting.
      With foreign men. Non-Saudi men.

       

      The mutaween. Arrests.
      A father drowning his daughter.
      A father ordering his family to watch him drown her.
      Chain her.

       

      Ringing in your ears? Frantic signals up and down your spine? No exit?

       

      Then shoved into the water.

       

      Were you begging him? Crying for mercy?

       

      Bubbles like a garbled redundancy
      of evacuating air
      racing to the surface
      like a reversed plea

       

      beneath your family
      staring at the strict surface

       

      of sealed silence.

       

      I read about you in a book, chained to all the women in that book,
      who went down with you, breathing sharply, telling your story.
      Still trying to tell your story.
      Death thumping, skipping across organs, pressing bells
      of insulated terror.
      Rising terror.
      Listen to
      clubs—now listen to—
      fists pounding on the
      Club club, Club club
      Tied to the chainlink.

       

      At the prime of its clarity: a slump of minutes severed off.

       

      Protruding eyes snapping shut against
      something—shock—shatterproof,
      something swallowing with slappy, glassy surface suctions.

       

      No reform. Not even something like redemption.

       

      Just your body
      lying dead
      at the bottom of a swimming pool.

       

      Abaaya lifting, swirling a little, here and there,
      where the chains do not bind you?

       

      Meanwhile, in America, westward expansion, firing eastward,
      crossing boundaries, borders, tanks razing Iraq, rock music playing, business
      as usual,
      claws.

       

      Against infected barriers lay screeches, protesting, moralizing.
      Certain little threats tangled,
      dissected into what we think are silly oppositions. High school crumbs
      trailing behind …

       

      This is how I met you:
      Before I could have met you:
      Forbidden hourglass, Lively Lips
      screaming between the pages of a book
      I freely read
      at another’s expense.
      Seeing you
      writhing to death underwater.
      Black words on white pages.

      from #27 - Summer 2007

      Kristen Dewald

      “Experience itself—the experience of life, of beauty—motivates me, not conquest, not goals per se. I hope to never, as the late poet laureate Octavio Paz wrote, ‘fall into the amnesia of the forgotten astonishment of being alive.’”