Shopping Cart
    items

      March 3, 2021Lockdown Puzzle: Hokusai’s Great Wave Off KanagawaA.E. Stallings

      Even the border escapes me.
      There are pieces of the sky
      I cannot seem to put my finger on.
      The wave about to dash
      The boats to pieces, is dashed
      To pieces. The pieces are shaped
      Like fractals of flying sea-foam.
       
      The outside of the box
      Offers what might be pieced together:
      The wave lifts, white and Prussian blue,
      While the sky lies flat and beige
      As the raw cardboard inside the box.
      The wave stands taller than a snow-topped mountain,
      With three boats slung
       
      Low in the troughs.
      Rows of fat white dots
      Like white dots of foam
      Are the round tops of the heads of fishermen
      Who are looking, not overhead at the crest about to crash,
      But down into the lurch of the sea
      Where they are likely to be drowned
       
      Amidst a hissing mess of foam and wreckage.
      The puzzle lies spilled, shipwrecked on the table,
      All flotsam and jetsam,
      A piece of boat here,
      A mountaintop there,
      Sky and wave all jumbled, the edge aligned
      With the horizon of the tabletop’s
       
      Steep drop.
      It comes over me in waves,
      This failure to put together the big picture.
      I had thought the working of it would give me
      A feeling of—what—peace?
      A fitting way to pass the time, a sense
      Of pleasure in the making sense of things?
       
      The table is now no use as a surface;
      For months now, it is all puzzle,
      The white shapes of water shaped
      Like random spindrift, spinning across the beige
      Ground of the table, or the cardboard-colored sky,
      Fragments of yellow boats, and blotches
      That could be sea-foam, snowflakes, or bowed heads.
       
      Maybe nothing finally locks
      The surface into an illusion of its smoothness.
      Even if I rhyme each shape with its absence,
      Even if I finish this wave,
      Its monstrous gesture,
      After, would not my giant hand be another
      Crumbling the world about to crumble,
       
      Sweeping the confusion back into its box?
      A.E. Stallings was the guest on Rattlecast #82! Click here to watch …

      from #70 - Winter 2020

      A.E. Stallings

      “A lot of the poets that I really admired, T.S. Eliot, A.E. Housman, were themselves classics scholars, so I think I felt—and this is ancient times; this is 20th century—that this was how you became a poet: you studied classics. It wasn’t as clear then as it is now that you could do creative writing. There was the Iowa workshop, but programs weren’t as prevalent as they are now, and it seemed like classics was a way somehow to become a writer. Part of my interest in classics is really classical reception, how classics percolates through English poetry, but I’m also interested in it for its own sake, so, again, they’re very interwoven.”