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      April 8, 2019Lonely, LovelyDebra Bishop

      My friend, whose name is John,
      he’s not an everyman, this John,
      he’s a nowhere man,
      though one could say
      the nowhere man is every man
      today.
       
      John sips coffee and whisky
      and says he likes to drive sixty
      down dark curved country roads:
      windows down, a softened radio,
      an irrepressible impulse to go
      somewhere.
       
      But no matter how fast or far he goes,
      he always ends up back at Monday.
      And he’s growing old with Mondays.
      He’s lost his soul to Mondays.
      And there’s just no getting
      away.
       
      John has kind brown eyes
      that he closes when he plays guitar,
      or thinks about things too hard,
      and that happens more and more.
      He never finished his college degree
      or wrote all that intangible poetry,
      the deepest deep down thing
      inside him.
       
      So Monday comes as it always does,
      and John goes as he always must
      down a long deserted road ending
      in a factory and a guardhouse hut;
      where through the odd hours of the night,
      he guards tin foil: rolls and
      rolls.
       
      From whom or what God only knows.
      But in his quiet guardhouse shack
      John reads Ginsberg, Whitman, and Kerouac;
      and should tin foil ever fall under attack,
      his last thoughts would probably be
      of Roman candles madly bursting free
      or some such lonely, lovely thing
      that lonely, lovely hearts to themselves
      sing.

      from #62 - Winter 2018

      Debra Bishop

      “This poem is a modernized ballad of the nowhere man, one whose dreams have never been realized, who has been economically marginalized, who is in near suicidal despair, yet still finds, if not hope, at least a kind of saving transcendence in great works of literature.”