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      May 18, 2022Lucky OnesCatherine St. Denis

      I.
       
      I was 17 when my father said, You are like her,
      and handed me a biography of Sylvia Plath.
      Yes, she and I had both pulled poems
      like deli tickets from between
      our ribs, had both slouched at the counter
      of suicide and ordered up our demises.
      Did Dad mean it as a consolation, this notion
      that artists are destined to suffer? That I would
      one day retire my heavy skull into a gas oven,
      meninges bursting with unspent words?
       
      At 18, I was bereft of gas ovens, but had a prescription
      for Carisoprodol with aspirin. The ER nurses
      defended the sanctity of life by licking their teeth
      and sneering at me. The psychiatrist knew his statistics,
      of course. I was female—less likely to succeed if I tried
      again—so he filled my belly with charcoal syrup
      and sent me home on the city bus, deafened by tinnitus,
      sprinkled in broken capillaries, a madcap human cupcake
      in a butter-coloured, vomit-soaked shirt.
       
      How to survive when your brain is the worst
      kind of liar? I tried. The designer tessellations
      of pharmaceuticals did nothing but tie thick knots
      in my dreams; nights, I swam with manta rays, gave birth
      to lifeless babies, clawed at my own voiceless throat
      while demons approached from behind. My illness
      was classified treatment-resistant after medication nine.
       
      Counsellors fed me stones to try
      to weight me to the world, smooth, curved
      morsels called strategies and insights. Only
      over and over, I lifted off: shopping for rope
      at Canadian Tire, staring down from the highest bridge
      while the midnight current rippled by, a black banner
      promising relief. I graced the air with a spray of pennies
      as I drained myself into crimson, clot-filled bathwater,
      then wore lines of stitches like barbed ants marching
      shame into my palms.
       
      Adopted, I didn’t understand my place
      in the watershed of my ancestry—our tiny helixes,
      broken-runged. A great-uncle who buckled
      the house around himself like lamellar armour.
      A grandmother who could have salted
      a thousand codfish with her tears.
      Her son, my birth dad,
                a switchback.
      Please believe, I didn’t know, I didn’t know
      all this was so until after I had my own children.
       
       
      II.
       
      At first the light was gold, translucent
      butterflies fanned their wings
      at the corners of our eyes.
      Wise-faced, tiny-fisted, a shock
      of dark hair, we gazed at each other
      and the room slid away like velvet.
       
      The birth had been hard. She was turned
      the wrong way. And every time I pushed,
      I heard her heart slow on the monitor.
      After, my midwives showed me the placenta,
      umbilical cord attached loosely at the edge
      of the membrane, blood vessels
      branching unprotected from the centre—
      the easily-severed roots of a wind-torn tree.
       
      Twelve years later, we would be back
      in this hospital, two floors down, in a room
      where drawstrings, nail clippers, and belts
      are banned, where children are not allowed
      to speak with each other just in case
      despair is contagious.
       
      I did not gift my daughter
      a tragic biography, but sat
      by her bed and fed her a river
      of stones—smooth, curved
      stories of ancestors, survival.
      Tall, tall tales of luck.

      from #75 - Spring 2022

      Catherine St. Denis

      “I am a teacher-librarian, and I often ask my students to make connections between the texts we read together and other texts, their lives, or the world at large. I have not yet written about libraries or librarianship, but here is my ‘text-to-text’ connection: A poem is a sort of library, filled with the guts of language, stacked with colorful layers of meaning, and always striving to enforce an absurd attempt at order amidst chaos.”