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      September 17, 2011Make a Wish FoundationAdam Michael Wright

      None of us thought he’d make Disney World
                  in time, which is what he asked for
      before he died. A fever steered Jonah, Mariah’s brother,
                  toward extinction on a mattress

      in Biloxi. He was nine; wouldn’t make it to ten,
                  and overflowed his bed pan orange
      a second time—a side effect of his yellow meds—
                  and Mariah cried with small,

      almond eyes over her sibling’s wet sweat. I said
                  we should take a walk
      to the brown, black sand of the Sound. Sometimes
                  broken bottles glinted in the muddy terrain.

      She slipped off her K-Swiss sneakers and I wanted
                  to carry her
      because Mississippi was gross. Mariah did not want
                  her hand held. She was short,

      busty, and Italian, and refused to hear my stammering,
                  insecure guesses at an afterlife.
      I thought that’s what a boyfriend was supposed to do.
                  I told her what I thought—

      Jonah’s special. He’ll be in a better place

                  then, as we kicked over soot and rock,
      I offered to hold her white shoes. She shooed me
                  away; said “Not now. I wish you’d stop.”

      I was her afterthought. She wanted me to stop,
                  like a stillborn. She wanted her brother
      to start over, like rebirth. My Mariah promised
                  we’d talk. Not then,

      but later. And that’s how she broke up with me: all opaque
                  and with her brother’s breaking body up there in Biloxi.
      I didn’t know what she meant, at first, but I thought
                  we really might be through, so I was dying for

      Make a Wish to make me an offer too. Maybe
                  the charity workers,
      unlike a clown or magician, could perform
                  a miracle. They were like genies

      in a lamp, only for sick people, and I was
                  heartsick. And if the wish-granters would not
      cough up my universal request for infinite
                  wishes, then I’d resign

      my one wish to Jonah: for him to have vitality and good health
                  in the Magic Kingdom.
      But since her brother would live, I’d still also wish (kinda like hope)
                  Mariah wouldn’t be mad

      at me, and I still wished to save her from her dirty ocean feet.
                  She wasn’t gross. I was grotesque—
      looming over my loss as Jonah, like baloney,
                  neared an expiration date: just lying there.

      When we returned to the hospital Jonah’s fever
                  broke. He had a chance,
      they said. Not like Mariah and me. Thanks to those
                  damn pills that forced him to piss

      Tropicana. The doctors squeezed the fever out, like juice
                  from an orange. His color returned, but the Foundation
      did not. Because he got better, they took Jonah’s
                  wish away. His head healed.

      The charity had a change of heart. The deal was off.
                  Genies make dreams come true—only for dying kids.
      I protested that we’re all terminal, and we should all get
                  what we want before we die, and to get back together

      with our girlfriends. Whether angry her brother might never see
                  Disney, or incensed that I thought
      he wouldn’t make it, Mariah swore we were through
                  forever. I thought Indian giver, and I’m sure

      Jonah did too. That’s how afterthoughts think. He and I
                  will never forget the wish takers
      are also the granters. The good news, like side effects,
                  always gets coupled with bad,

      like you’ll pee orange; like the love of your life
                  can be unfair; like you can’t live
      forever but you’re not gonna die just yet.
                  You’re not going to see God. You’re not going to see Mickey.

      from #34 - Winter 2010