Shopping Cart
    items

      May 23, 2016MalignantRobin Silbergleid

      In the third hour in the family surgical waiting area
      my brother asks if I’m going to write a book about our
      mother’s cancer, and I shrug because there’s not much
       
      to say about the lump or the MRI with the blue dye
      snaking toward her lymph nodes or the medical grade
      saran wrap and sports bra the surgeon called a “binder,”
       
      which, when she’s home later, we’ll chip away at, and I
      won’t point out the irony of her saying it’s “killing” her
      to wear it, because all that is still far away from the room
       
      where we sit with our books and technologies, with
      other waiting families and boxes of Kleenex, and I know
      he’s just making small talk, which is better than our sister
       
      mumbling to herself or anyone who will listen, right now
      prattling on about the miracle of split screens on her laptop,
      but the truth is I’m not sure what it means to call us family
       
      beyond this shared concern and a smidge of DNA, each of us
      like planets orbiting the same sun but never making
      real contact, which is reserved instead for the ones we choose
       
      to love—like his wife, whose wedding dress cost more than
      my bathroom, at home with her feet propped up, days from
      giving birth and waiting for the cupcake he bought her
       
      at the café down the hall—but I can’t tell him any of this,
      especially not today, because it’s clear as malignant
      cells under a microscope we don’t know each other at all.

      from #51 - Spring 2016

      Robin Silbergleid

      “I’ve identified as a feminist since I was about eighteen and read Chris Weedon’s Feminist Practice and Poststructuralist Theory as an undergrad. My poetry often addresses subjects of gender, alternative families, the female body, and reproduction. I’ve had the occasion recently to read my work to and host workshops for other women who have struggled with infertility and pregnancy loss, which, at its best, feels like a powerful, woman-centered and feminist connection. Although these poems aren’t the best illustration of this principle, I see much of my work as an instance of feminist activism.” (website)