MORE THAN THIS
When you tell me that a woman is visiting the grave
of her college friend and she’s trying not to get irritated
at the man in the red truck who keeps walking back and forth
and dropping tools as he listens to a pro football
game on the truck radio, which is much too loud, I start
to feel as though I know where this story is going,
so I say Stop, you’re going to make me cry.
How sad the world is. When young men died in the mud
of Flanders, the headmaster called their brothers out
of the classroom one by one, but when the older brothers
began to die by the hundreds every day, they simply handed
the child a note as he did his lessons, and of course the boy
wouldn’t cry in front of the others, though at night
the halls were filled with the sound of schoolboys sobbing
for the dead, young men only slightly older than themselves.
Yet the world’s beauty breaks our hearts as well:
the old cowboy is riding along and looks down
at his dog and realizes she died a long time ago
and that his horse did as well, and this makes him
wonder if he is dead, too, and as he’s thinking this,
he comes to a big shiny gate that opens onto a golden
highway, and there’s a man in a robe and white wings,
and when the cowboy asks what this place is, the man tells
him it’s heaven and invites him in, though he says animals
aren’t allowed, so the cowboy keeps going till he comes
to an old rusty gate with a road full of weeds and potholes
on the other side and a guy on a tractor, and the guy
wipes his brow and says you three must be thirsty,
come in and get a drink, and the cowboy says okay,
but what is this place, and the guy says it’s heaven,
and the cowboy says then what’s that place down
the road with the shiny gate and the golden highway,
and when the guy says oh, that’s hell, the cowboy
says doesn’t it make you mad that they’re pretending
to be you, and the guy on the tractor says no,
we like it that they screen out the folks who’d desert
their friends. You tell me your friend can’t take it
any more, and she turns to confront the man
who’s making all the noise, to beg him to leave her alone
with her grief, and that’s when she sees that he’s been
putting up a Christmas tree on his son’s grave
and that he’s grieving, too, but in his own way,
one that is not better or worse than the woman’s,
just different, the kind of grief that says the world
is so beautiful, that it will give you no peace.
—from Rattle #50, Winter 2015
Rattle Poetry Prize Finalist
__________
David Kirby: “A lot of my poems are braids I make of found materials; my contribution is to figure out what the different parts have in common and then unite them tonally. In this case, there are three threads. My barber told me the cowboy story. The one about the English schoolboys was told to a class by a student who’d read it somewhere. But I no longer remember where I encountered the story set in the cemetery, the one that begins and ends the poem. Oh, and this braid is drenched in the bittersweet hues of the great Jack Gilbert; I fell hard for him just before I began writing this.” (web)
