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      March 2, 2023Musicians at the WeddingJohn W. Evans

      All week at the wedding
      the musicians keep practicing
       
      over the garage, during the rehearsal,
      in the basement at night,
       
      on the back porch while it rains.
      Even the grass after the rain
       
      worries someone in the kitchen.
      The tables and caterers, the flowers
       
      and the muddy road to the barn
      are covered in lights. This is a good time,
       
      someone says, to take five, guys,
      or fifty. The musicians are soggy, too.
       
      They start again: five or six bars
      of the bridal march, the chorus, the last encore.
       
      On the porch a bartender is humming
      the first dance as he bins the ice and juices,
       
      orange and lemon. His cherries
      are staked on tiny plastic swords
       
      the wedding guests will make a great show
      of plucking hilt-first.
       
      They stand en garde,
      a warning term in fencing,
       
      the first sport played in the Olympics.
      In the original en garde position fencers
       
      held their back hand in the air
      to lift lanterns during duels.
       
      Back and forth to the bar the guests
      litter the grass with broken promises.
       
      This is what happens when you fall
      in love: you dance all night, you collapse
       
      for one reason or another
      into the wet grass.

      from The Fight Journal

      John W. Evans

      “I wrote the poems in The Fight Journal to make sense of an experience about which I felt strongly biased: my divorce. I wanted to recognize the humanity of all involved on the page because this was something I struggled to do in real life. I hoped to find closure, healing, and an answer to two questions. Why had my marriage failed? How had I been complicit in that failure? Adrienne Rich’s “From An Old House in America” was the formal model for the long title poem. Marta Tikkanen’s ‘The Love Story of the Century’ was a precedent for writing about these dynamics. Both poems are personal favorites.”