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      June 5, 2024My 88-Year-Old Mother-in-Law Decides to Make New Year’s ResolutionsLaurie Uttich

      and I want to say, oh, Rose, why? but there’s no way to pass the prime
      rib and pretend the words You’ll be dead soon enough aren’t standing
      behind her, waiting to be said. Instead, I say, Maybe we strive for more
      pleasure this year instead and she nods, but her dead husband walks in
       
      and a wave of grief floods the floors. We wade awhile in all she’s lost—
      so many streams of her joy drained dry—and then I rise and slice
      the rum cake I made that morning. I cut through the glaze of sugar
      and pecans and present it on a plate that still bears the prints of my mother
       
      who gave them to me before she died. I center it, sprinkle it with cocoa,
      and bless it with cream I whipped by hand. I slide silver from the drawer
      and polish it on a clean cloth and I set it in front of her like a sacrifice
      to something I’m not brave enough to name. My mother-in-law smiles:
       
      as she aged, she’s learned to recognize love when it appears on another
      woman’s wedding china. She places the cake on her tongue and 20 years
      fall away. We sit in the exhale and we breathe in all we were born to delight
      in and then the moment passes and she is on to sleep cycles and squeezing
       
      back into a size 12 and catching up with Ancestory.com. She makes a list
      of all she didn’t achieve last year and asks me if I think she’ll live to see
      her granddaughter marry. I don’t say, Who knows if any of us will? but days
      have passed and I keep thinking about pleasure and how it comes when you
       
      call it. A red cardinal studies the birdfeeder outside my window and watches
      over the brown one while she lifts her beak to the seeds. The sun streaks
      the sky and the white plume of a plane heads toward the west. My goddaughter
      holds a newborn a thousand miles away and her baby’s scent wanders into
       
      my living room. I settle into the soft skin of her neck and drink her in. Later,
      I’ll study my husband’s shoulders and measure their width with the same
      appreciation I did on a dance floor over 35 years ago. Look, I know we’re all
      dying and some of us are already dead. But there is a book by my bed, a dog
       
      who considers me her own, and there is rum and cake and words that wait
      within. Tomorrow, I’ll walk by the river and the water will be brown
      and the snakes sleeping in the shade, but I’ll only see the way the sun blinks
      between the trees and winks at the waves. I’ll think of my sons, but
       
      I won’t wrap them in worry. I’ll only see the great gift they are, the men
      they are on their way to becoming. I’ll let everything I love—everything
      I will ever love—settle on my own narrow shoulders and I’ll hold it out
      to you, Reader of Poems, on a plate from my mother’s cabinet. I’ll ask
       
      you to study its face. You can see it, right? It’s there, in front of you,
      scratched but not cracked. It could have broken a thousand times
      in 60 years, but still it survives, shines. It’s too obvious of a metaphor
      —I know that—but I don’t know how to call Pleasure by its first name
       
      and not fall to my knees when it answers. I’m one of those who bleed.
      The world’s suffering is my own. (I know you’re the same.) But I can’t
      stop thinking about how much the world needs poetry and pleasure
      and everything that wavers in between and I don’t know much about
       
      resolutions or all the ways we can thrive (or hide), but I want to pull
      you into my kitchen, place a plate next to a fork, and tell you the secret
      to rum cake is 5 eggs and vanilla pudding and Bacardi Dark and when
      you leave for the night and step out into the black where the Florida
       
      frogs speak in a language older than ours; I want you to match their
      pitch with your own.

      from #83 – Collaboration

      Laurie Uttich

      “My poetry tends to be full of fury or grief. It stumbles into a room, throws an emotion on the floor, and slams the door on the way out. I revel in the release of my Inner Poet who is so different than the person I walk around as every day. She shows her teeth and she doesn’t spend a millisecond worried about what anyone thinks (even you). But one of the men I write with on Fridays at a Florida prison often calls me a contradiction and chides me for my ‘sad stories’ while he writes his own poems about joy. This year, I decided to try and do the same.”