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      August 24, 2017My First Body Is Beautiful UntilReese Conner

      Image: “Portrait of a Kitchen” by Samantha Gee. “My First Body Is Beautiful Until” was written by Reese Conner for Rattle’s Ekphrastic Challenge, July 2017, and selected as the Artist’s Choice.
      On the kitchen floor, years ago,
      peeled potatoes roll, slippery
      as skulls—all the ugliness
      sticks to their wet flesh and
      it’s hard not to see analogy in that.
       
      I tickle static into my first body—
      it rises brightly, rises from the kitchen
      and begins to tend to half-crescent stains
      on counters, to supper dishes in the sink,
      to routines necessary even in nostalgia.
       
      I begin making mashed potatoes. I start
      by peeling, scalping with a knife.
      It’s fun to see how perfectly round
      I can make them. They feel so slick
      to shift in my hand. My first body
      is a celebration of touch because
      my first body has no reflection—
      it has not been urged to see one yet.
       
      It is my birthday and I am about
      to try on a new pair of checkered
      pink pants. But they don’t fit.
      My hips are too wide now
      and I trip trying to squirm in.
      The thud calls my grandmother,
      who comes expecting something
      broken, but finds, instead,
      my first body for the last time
      and offers it its first reflection:
      And aren’t you chunky.
       
      All this while, the ancient skulls hide
      beneath the refrigerator. I left them there
      because they were broken
      the moment they kissed earth. Like
      all disappointments, they deserved
      a hiding place, so I nudged them.

      from Ekphrastic Challenge

      Comment from the artist, Samantha Gee

      “I was struck by the delightfully macabre imagery as well as the disconnect of the narrator’s existence in the temporary body. A lot of the poems I read made reference to the faded figure in the center of the painting as a ghost and faded memories; I thoroughly enjoyed how this poem puts the reader in the figure’s shoes as they take their first curious steps.”