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      August 17, 2009My Problem with the WorldBrenda Paro

      Occurs because pregnant women

      wear signs on their bellies
      that say they’ve spread their legs.
      Because the smell of sewers
      rises hot and thick from below
      sidewalks, beneath the feet
      of suited business men.
      Because wherever people congregate
      (in office meetings, grocery stores),
      it means a room full of genitalia
      that would all fit together
      if they tried.
      Because toilets are pipe ends
      sticking out of floors,
      inescapable as fact, and
      because the handsome boy who
      holds the door for the girl
      behind him still
      makes a sticky mess
      on the bed without a condom.
      Because the bookstore clerk beams
      shyly and holds out Fitzgerald
      with a small hand, then
      jerks off in the employee bathroom
      later, thinking about your ass
      while you walked out.
      Because your parents had sex
      on dirty sheets one day and out
      you slid, flaked with wax and wet
      with membrane, in a hospital
      where someone died messily,
      one floor below,
      an hour earlier.
      Because flies linger around
      graveyards, and because
      a poem can’t hide forever
      what is really happening.
      Because the surface
      is thin
      as human skin,
      pulsing with the blood, black
      tar and grease
      that keep the body
      beating and limping along:
      each thing pressed
      against the next,
      like a stranger’s arm
      you’re forced to lean against,
      without looking at each other,
      the entire bus ride home.

      from #30 - Winter 2008

      Brenda Paro

      “We all operate beneath a veneer of euphemism. It’s a necessary artifice; it allows us to get through each day thinking about things like falling in love or balancing a checkbook. Prying up those floorboards, so to speak, creates a weird sense of freedom that is part hopelessness and part elation. It is that feeling that inspired this poem. It is that feeling that I’m chasing, in some form or another, every time I write.”