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      October 25, 2017New Fruit HummingCameron Barnett

      after Iron & Wine

      I’m here to say sorry.
      Because you definitely said splotchy.
      Because I definitely heard splotchy,
      because I definitely told everyone about
      how you said splotchy with your eyes cast down,
      and everyone said “Ain’t that some shit!” because
      who the hell talks about their kids like that?
      So I’m here to say sorry.
      Because I told the story wrong, which is to say
      I didn’t stay silent, which isn’t to say I told you
      the truth, because the truth can look like a second
      chance, and a second chance is just a hesitation
      hesitating too long, and it took too long to get
      our story straight, and what I really said was
      “I know …” or “Yeah …” and took a bite
      of the pear in my hand because we were under
      an apple tree, and you brought pears, and I thought
      “How strange is this,” never doubting the taste
      in my mouth, never doubting what I tasted
      wasn’t the flesh of the fruit, never admitting that
      to you because I loved you, and you loved me
      so we never made demands and we never agreed,
      we just lied and lied and lied—and I’ve lied
      about this story before; we weren’t in bed
      because we were definitely under an apple tree
      as much as an apple tree can be a bed, and
      it was definitely hotter than August though the sun
      said April, and you said “It just worries me,”
      and now I’m here to say sorry.
      Because I was wrong to believe you were afraid
      of anything, because my blackness wasn’t anything
      to be afraid of, because my blackness wasn’t anything
      to you. I don’t tell people we were under a tree because
      a bed is a better place to lie, or a better place to lay,
      because I still mix up laying and lying, because the story
      is still so mixed up I don’t know if it even matters
      because I loved you, and you loved me,
      and we both got stuck, so we both went free,
      because forgiveness is an act of retelling,
      and forgiveness is an act of retelling,
      and forgiveness is an act of retelling.
      When I think back on that day I start to cry
      not because I’m sad, but because my left eye
      and my right eye can’t put you together, and it hurts
      to try because you were so mixed up, because
      you were so afraid of us mixing, and that’s why
      we were under a tree and not in a bed, and that’s
      why my blackness is afraid of nothing, and that’s
      why it’s so hard to lie sometimes, and I’d be lying
      if I said I’m sorry because I loved you, and you
      loved me, and now there’s new fruit humming
      in the old fruit tree.

      from #57 - Fall 2017

      Cameron Barnett

      “I’ve lived in Pittsburgh ever since my family moved here in 1996. My parents grew up here but my siblings and I were all born in California—but I credit being raised in Pittsburgh with turning me into the person I am today. Pittsburgh is often associated with blue collar grit, and this still rings true though our steel mills have fallen silent. For me, grit is an ancestral quality of this city. I come from a lineage of black Americans who escaped slavery and Jim Crow and made it to Pittsburgh, only to fight and desegregate and integrate this city during the Civil Rights era of the ’50s and ’60s. In particular, my grandfather Bishop Charles Foggie stands out as a fighter and champion of liberty. I take his legacy as a family torch to be carried, and this informs my writing. My poems largely have to do with race and family, as well as how those two things intersect in my own personal relationships. Pittsburgh is a city that is at once progressive and antiquated, and this is indicative of the Rust Belt—always seeking to get ahead, but hesitant to cast off the past too quickly. This struggle shaped my family, my childhood, my education, and shapes my poetry today.”