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      February 23, 2016New HouseGeraldine Connolly

      There’s always the illusion the museum I carry
      inside me, of coal dust, black bread and worn-out brooms
      could turn into a seaside palazzo of framed lithographs
      and immaculate linens. There’s the hope that some magical
      storm could sweep over my life, making dinners prepare
      themselves, dust motes fly back into the atmosphere,
      newspapers slide out of their messy heaps into trash bins.
      My marriage, too, could evolve like that dream
      where I grow wings and fly through sun-filled windows
      into the arms of a beautiful stranger. We two will
      sit back in a chaise longue in freshly painted harmony,
      tend hothouse orchids on the patio and photograph
      street-sweepers at dawn. We will witness glorious sunsets
      behind the Pillars of Hercules reconstructed on our lawn.
      There will be no weeds, smudged windows or carpenter ants,
      no growling dogs or nosy neighbors with garish swing sets.
      I will indulge my desire for a Moroccan bathroom
      with marble floors and a mosaic dragon. It’s not that
      I can’t see that a fresh start is a white lie, my dream
      of arriving at a fulcrum of elegance just another decorative
      hope embellished with gold braid. The truth is I will
      never get around to painting that dining room mural
      or hanging linen swags. My success is of no consequence
      to these walls. This ceiling fan could be the one I die beneath.
      But I move past misgiving and chaos with chipped
      stoneware, tattered baggage and dreamy optimism,
      the throb of salvation beating in my chest like a drum.

      from #17 - Summer 2002