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      January 1, 2022New Year’s Day 2005Gary Lemons

      for Sam

      1
      I walk the streets today as I have so
      Often in the last thirty three years.
      It’s an arbitrary number to look back to
      A place to start counting but my number
      Nonetheless—thirty three years, the years of
      Jesus, that good, misappropriated
      Man, the years it took Conrad to begin
      To launch dark missals at the human heart.
      These are the years a man looks back at when
      Winter comes not just to the place he lives
      But to his body, left like last season’s
      Tools, one storm too long without shelter.
      Cold wind comes off the water. Ferries
      Labor in grey chop through mill smoke bringing
      Tourists, seagulls, perhaps a younger
      Version of me to town to begin, one
      Hopes, a more fluid way to turn to stone.
      I remember this feeling, these shivers
      That come from insights and under dressing
      When I was a young poet walking from
      One bar to another with a warm buzz
      In Iowa City in the cold morning,
      Late for one class or early for another …
      The arctic express across miles
      Of open prairie, bringing the smell
      Of wheat stubble down from Canada.
      There was frost on my face, fresh taste of
      Breakfast beer, my words on my tongue.
      Into the warm bar, Donnelley’s, where Dylan
      Thomas was slapped off his stool for cursing
      By the same withered Irish prude serving
      Me now, Charlie, who at sixty still rides
      Home with his Mother who won’t let him drive.
      He sneers, brings me a democrat, a short
      Draft with too much foam, would like to slap me
      Too but almost got fired the last time
      So contents himself with wiping a stain.
      I believe in Iowa City each
      Cold heart, each cold rustling stalk of corn
      Left unharvested in the snow covered fields
      Is warmed by a molten core of poems
      Written by the dangerously young …
      Music burbling under ice in creeks
      Where coyotes cut their paws scratching
      Holes in the ice to drink from the pool
      Freezing slowly over the one remaining fish …
      I still believe in the power of poems
      To make a place where one wild thing survives.
      2
      So I find my place in a world where war
      Is killing my friends, killing people I
      Don’t know, killing any hope the old I
      May one day become have of looking back
      At their life to work out the intricate
      Deception of a man struck each day
      By a small, personal rock from space.
      Because it is almost noon and I have
      Not eaten, I pour tomato juice in
      My beer—it is 1972
      For the first time today and Imagine
      Plays above the tinkle of glass, the loud
      Sounds of pool, sung by a man still alive.
      Too much introspection from a drinking
      Poet is like mittens on a cowboy
      So I unstick myself from friends, the warm
      Evaporate echo of words, tell Charlie
      He’s a beautiful man I’d love to kiss,
      Dodge the bar rag, open the door on way
      Too much light and real anguish.
      I head west, a true conestoga poet,
      To the Vine where Justice is counting
      Money from an all night game and buying
      Drinks for Norman who is building complex
      Structures from pretzels and writing the last
      Poems for In the Dead of Night on soggy napkins.
      The new year has come, to the brave and the
      Stupid, the ones who sharpen blades and the
      Ones who grind what’s cut to bread, to the good
      And the evil, but never to the dead.
      3
      So here it is, thirty three years later, thinking
      Of my friend Sam whose new year will be a ledge,
      Not a slope, from which he will fall or rise.
      Thinking the fish breathes under water
      Because it doesn’t know it can’t.
      I have seen you breathe, in lonely places,
      The fellowship that sustains and oppresses poetry,
      Seen you daily labor with love, with
      Great precision and joy, to extract the
      Ordinary, infinite, thunderous
      Relevant beauty from centuries of words,
      Pissing off, in the process, those whose fuse
      Is so wet it can no longer be ignited by ideas.
      The first birds of spring fly just beyond the
      Falling snow, waiting to land when the country
      Thaws, waiting to begin the excarnation
      Of my tongue, leaving only the bones of
      Joy and one vowel, all that is needed
      To begin a song of gratitude.
      In everything there is the poem,
      Stepping out of its own death.
      This new year I have no pledges to keep.
      I am doing all I can to be who I am.
      To you I hope to say, at least once in
      The remaining light, that I love you old friend,
      Old teacher sweating rain in the garden.
      4
      When all the winters are added together,
      All the summers, springs and falls of the oldest
      Man or woman, we see they total less
      Than the hair on our arms. This life is not
      A nest we may sit indefinitely
      But a single drop of water falling
      From a clear sky that may, upon landing,
      Give rise to a previously unknown vine
      That itself will live only long enough
      To take one fully awakened look
      Around, flower, and then gently, without
      Regret, remit it’s qualities to the air
      And return to the work below ground.
      What it all comes down to is, and yes, you
      Can take this as a threat, if it gets
      Any colder I’m switching to whiskey
      Poured one syllable at a time into
      A moment when all the shivering ends.

      from #25 - Summer 2006

      Gary Lemons

      “It’s almost a cliché to speak of poetry as a transformational process by which the poet begins, through the writing of the poem, the sacred work of becoming a better human being. I believe this. Each poem is a gift much like each prayer is a lesson. What matters to me is the tissue deep shift I feel each time the words come out in that spare and clean way that tells me I have spoken as truthfully as I can in my own voice. The poem as it is written becomes my window as well as my mirror. I am grateful for this every day.”