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      April 16, 2022Of GeeseArlene Ang

      and dear-john notes: the color is always
      the same—off-white, with grime somewhere
      between the left wing and Toronto. Rain
      washed away wet paint from the park bench.
      Up to the end, she blamed the weather.
      The classical CDs left in her music box are
      pirated copies, some titles smudged with
      liquor. I taught her how to drink hard and fast;
      we both had the same dance instructor
      in school: a Brazilian named Dante
      who dated us separately before the 9/11
      disaster. There comes a time in everyone’s
      life when solitude gapes from the molds
      of cheeses in the fridge, sometimes
      the shoelace that comes undone in the midst
      of a rush-hour crowd. In theaters, Swan Lake
      continues to draw lonely people: the costumes
      are elaborate, the women entrancing, the water
      and fog deliberately fake. She confessed
      watching the prince die seventeen-and-a-half
      times with another man while I slept in the nude.
      The lights were switched off, and I thought
      I knew every part of the house by then
      without stepping on a loose floorboard.

      from #24 - Winter 2005

      Arlene Ang

      “I haven’t yet gotten over my love affair with the word ‘bucket.’ This is the reason I write poetry about birds and wet paint signs.”