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      August 11, 2015OfferingHarry Newman

      it used to be one mendicant
      monk now there are three
      bowls to their sides walking
      single file in the direction
      of the station everyone rushing
      by them on the way to work
      briefcases brushing their robes
      heels perilously close to bare feet
      they move together without
      interrupting the flow around them
      their even steps more like gliding
      as if the world truly were illusion
      or they were or both two dreams
      blurring through each other
      to a dream larger still and
      I find myself thinking about
      spiritual commuting the empty
      offices they’d go to no furniture
      phones carpeting bare except perhaps
      a framed koan or two on the walls
      above motivation or would they wait
      every morning on the platform
      instead for a train that never comes
      I remember the mornings then
      well before sunrise alone
      in the street walking the dog
      I’d see the oldest one coming
      out of the darkness toward me
      as if he’d been crossing the city
      endlessly taking the measure
      of the night are we more blessed
      by three now or more in need
      I wonder as two Thai girls near
      the corner the only ones who notice
      bow before them hands together
      in gassho one kneeling almost
      to the ground then rising to give
      their offerings a quart of soup and rice
      the monks stop and whisper to them
      back in the world for a moment
      a street in Queens cars honking
      planes overhead the restaurant beside
      them selling platanos while the rest
      of us continue in the stream having
      only ourselves left to offer the day
      the city this illusion of our lives

      from #48 - Summer 2015

      Harry Newman

      “Living in New York is like living at the base of any great mountain range. It slowly invades your consciousness without your being aware of it. There’s the press of its gravity, the press of scale, its dominating quality, of always being dwarfed by it. It occupies all horizons. And this inevitably comes out in one’s writing. Very few of my poems relate directly to life in the city, but I think its imprint is often there in a sense of isolation, a yearning for places far away, for the horizon that’s always obscured, in the feeling of being apart from others and the world (the natural world). The way I’ve found to live and write in relation to this is to look for the moments of humanity, the possibilities of connection to the people and other creatures living here, as well as to the large, more fragile aspects of spirit, imagination, and hope, which too often get lost against the concrete rock faces far from the summit.”