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      March 14, 2017Orpheus AloneMark Strand

      It was an adventure much could be made of: a walk
      On the shores of the darkest known river,
      Among the hooded, shoving crowds, by steaming rocks
      And rows of ruined huts half-buried in the muck;
      Then to the great court with its marble yard
      Whose emptiness gave him the creeps, and to sit there
      In the sunken silence of the place and speak
      Of what he had lost, what he still possessed of his loss,
      And, then, pulling out all the stops, describing her eyes,
      Her forehead where the golden light of evening spread,
      The curve of her neck, the slope of her shoulders, everything
      Down to her thighs and calves, letting the words come,
      As if lifted from sleep, to drift upstream,
      Against the water’s will, where all the condemned
      And pointless labor, stunned by his voice’s cadence,
      Would come to a halt, and even the crazed, disheveled
      Furies, for the first rime, would weep, and the soot-filled
      Air would clear just enough for her, the lost bride,
      To step through the image of herself and be seen in the light.
      As everyone knows, this was the first great poem,
      Which was followed by days of sitting around
      In the houses of friends, with his head back, his eyes
      Closed, trying to will her return, but finding
      Only himself, again and again, trapped
      In the chill of his loss, and, finally,
      Without a word, taking off to wander the hills
      Outside of town, where he stayed until he had shaken
      The image of love and put in its place the world
      As he wished it would be, urging its shape and measure
      Into speech of such newness that the world was swayed,
      And trees suddenly appeared in the bare place
      Where he spoke and lifted their limbs and swept
      The tender grass with the gowns of their shade,
      And stones, weightless for once, came and set themselves there,
      And small animals lay in the miraculous fields of grain
      And aisles of corn, and slept. The voice of light
      Had come forth from the body of fire, and each thing
      Rose from its depths and shone as it never had.
      And that was the second great poem,
      Which no one recalls anymore. The third and greatest
      Came into the world as the world, out of the unsayable,
      Invisible source of all longing to be; it came
      As things come that will perish, to be seen or heard
      A while, like the coating of frost or the movement
      Of wind, and then no more; it came in the middle of sleep
      Like a door to the infinite, and, circled by flame,
      Came again at the moment of waking, and, sometimes,
      Remote and small, it came as a vision with trees
      By a weaving stream, brushing the bank
      With their violet shade, with somebody’s limbs
      Scattered among the matted, mildewed leaves nearby,
      With his severed head rolling under the waves,
      Breaking the shifting columns of light into a swirl
      Of slivers and flecks; it came in a language
      Untouched by pity, in lines, lavish and dark,
      Where death is reborn and sent into the world as a gift,
      So the future, with no voice of its own, nor hope
      Of ever becoming more than it will be, might mourn.

      from #17 - Summer 2002

      For more on Mark Strand, visit his webpage.

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