August 30, 2023

Lisa Shen

SIXTEEN SECONDS

When I was fourteen they held a personal defense training for all the girls in my high school. It took
 
sixteen seconds
 
for the male demonstrator to get me onto my chest on the floor. I felt for the first time what it is like to be held down. I felt how powerless I can become. If there is a world in which I am not a woman I do not know what I would be. I have heard too many stories of ex-girlfriends left dead by morning. Last year, students in my neighbourhood woke in the night to find
 
strange men crouched over their bodies.
 
I dream of my ex-boyfriend pushing open my bedroom window in my sleep. I check twice that the doors are locked. I circle his name on a map of places to look should I disappear. I practice swinging a metal baseball bat as if it could serve any purpose at all because it took
 
sixteen seconds
 
for the demonstrator to get me onto my chest on the floor. His body an armored shield. His knee a pin against my back. If there is a world in which I am not a woman I do not know what I would be. I have read too many stories of past lovers killed in a car’s backseat. Last Saturday, a man at a bus stop
 
whistled at me,
 
words curled into the form of a fist. I wonder what the boys did on personal defense day. If they were taught how to safeguard against assaulting someone. Last winter, a man cornered me at the top of a hill, his laughter condensing into
 
all the ways he might kill me.
 
I wonder what the boys did on personal defense day. I want to be the kind of woman who catcalls men back. I want to be a girl who can flip a boy onto his chest in sixteen seconds. I write a list of the things I will say the next time a stranger calls out at me on the street. I fear that, come time, I will open my mouth and an
 
apology
 
will fall out onto the sidewalk.
 

from Rattle #80, Summer 2023

__________

Lisa Shen: “When I was in grade nine, all the girls had to do a ‘personal defense’ training. A man in full body armor tackled us one by one in a sexual assault simulation, and we were instructed on how to fend off the attack. The main thing I learned was that I had no chance of fighting back. This poem is about the culture of fear surrounding girlhood and womanhood, and how we need to address the root causes of gender-based violence by educating teens about consent.” (web)

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August 29, 2023

Diane Stone

ILLICIT

First she heard the clatter
of his boots on the porch,
feet and legs sturdy in their haste
to fling his body to her room.
The cranky doorknob jammed
then spun and turned and he rushed in
breathless from wanting and waiting.
Half-dressed by now, he leaned above her
touching arms and neck.
She heard every sound:
dust sighing from webs,
light fingering thin curtains,
rain sliding from the roof in silver yarns.
His face was hard to read—
perhaps she wasn’t apt at reading indiscretion.
There, on a couch in a shadowed room,
she, an unbeliever, watched herself perform,
and found that she believed again in sin.

from Rattle #22, Winter 2004

__________

Diane Stone: “My grandfather taught me that poetry happens anywhere. He quoted his favorite poems even when we went fishing. Because of him, I think of poetry as a best friend. It helps me focus, helps me remember those tiny details from years ago, helps me see the big picture, reminds me to be patient.”

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August 28, 2023

Kelly Sargent

HAIKU & SENRYU

 
 
 
morning coffee
the steam and I
        rise
 
 
 
 
 
mourning 
the moon
morning dewdrops
 
 
 
 
 
second-hand shop
prom dress
brand new
 
 
 
 
 
two dozen roses
remembering 
   that he forgot
 
 
 
 
 
pandemic stroll
waving
to the neighbors’ dogs
 
 
 
 
 
dandelion
in the crack—
signing the divorce papers
 
 
 
 
 
morning tea
last night’s dream
at the bottom of the cup
 
 

from Rattle #80, Summer 2023

__________

Kelly Sargent: “Whether it be the construction of a six-word-story, three bold lines, or seventeen syllables, the art of brevity intrigues me. William Shakespeare said, ‘Sometimes, less is more,’ and Bruce Lee declared, ‘Simplicity is the key to brilliance.’ (Who knew that these two guys had so much in common?) The impact that a few spare words can create fascinates me. I want to give readers that slight-smile-with-a-little-nod moment.” (web)

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August 27, 2023

Robin Turner

LITTLE BIRD

for Artie

The hottest month of the hottest year
on record. August in Texas. Unrelenting.
 
Mother had died just the month before.
My mother. The world kept burning.
 
And on the news, on our phones, all week the photos
of treasonous men, their arrogant mugshots
 
marring every screen, suffocating each sensible citizen.
How to breathe through the heat, through the spin
 
and the grief? How to rescue from harm what one loves?
When a red-feathered bird crashed into our window, it fell
 
like a stone and lay motionless. Little bird, you said
and stepped out to the porch, bent to stroke, to tap tap her still chest,
 
brought ice, brought tenderness, prayed mercy.
In the morning you spared me
 
from shoveling parched earth
and gave up the lost creature to ground.
 
You knew, knew I would not be able to bury her—
one more once beautiful thing.
 

from Poets Respond
August 27, 2023

__________

Robin Turner: “A poem of gratitude for my husband, his good heart in a time of great personal loss, of grief for our burning world and fear for the fragile future of American democracy.”

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August 26, 2023

Jaylee Marchese (age 15)

FUNERAL

You’re a carefree, bouncy kid
who still enjoys the little things like
the sticky summer season every year
and riding horses and fishing
at the old docks past sunset.
 
Every year, your family goes on vacations
and you genuinely enjoy every second of them.
Your parents go on date nights now and then,
they hold hands in the front seat of your Yukon,
and your family feels undoubtedly like it’s yours.
 
Then, you notice things start changing.
Family game nights dissolve into nothing—
the Monopoly board is stowed in the
hallway closet like it’s unthinkable.
You’re sure that family movie nights only existed in your head.
 
The nights get longer and longer because
the yelling and arguing through
paper-thin walls put a pit in your stomach that fuels insomnia.
Most of your heart-wrenching summer nights are spent
staring at the ceiling, the clock flashing 1:00.
 
It’s painted the color of pessimism.
You spend those pitiful mornings afterward
explaining to your impertinent brothers that
it was nothing—just mangy conversation.
You wonder how this became your job.
 
The pancakes taste like an enigma.
The tension at your breakfast table is so thick,
you could cut it with a knife and the
hard truth that your parents’ marriage is
in shambles would come spilling out of it.
 
Your parents can barely stand the insanity anymore, and neither can you.
For an hour before, you’re hiding in the hallway bathroom,
shaking, because every part of you knows it would always
come down to this—an unassuming Sunday evening.
You tread on eggshells to the corridor.
 
They sit you down in your congested living room,
the fear clinging to you like sweat. The air is
stiff and unbreathable here because the truth is lingering in the corner of the room,
like a ghost, watching your skin turn pale
and your words slur into liquid.
 
You’re holding onto the tattered sofa for dear life,
your fingernails making deep impressions in the leather,
because you feel like your house is only seconds away
from being completely engulfed in flames.
Your impatience is a lump in your throat.
 
With soft voices, they tell you the things that you already
know, but hearing them out loud and from their own
mouths breaks your heart tenfold.
“Nothing is really going to change, Darling.”
“Everything will.”
 
Seven p.m. on a Sunday afternoon turns into
a teary-eyed teenager, belittled into a sobbing puddle
on the hardwood. Your brother says that you’ve
traded the chaos for the quiet.
You wonder why there couldn’t have been an in-between.
 
You don’t quite remember the next few months, just that
they’re dreary and you’re completely distant
from yourself. You’re going through the motions, while
the consciousness of yourself hides under the bed,
its eyes shut tight like it’s watching a horror movie.
 
At some point, you move half of
yourself into your grandparents’ house.
You paint the walls with the fever that won’t break,
and set the desire you have to
deteriorate on the bedside table, like a houseplant.
 
You make a point to never call this place
home because it can’t be farther from it. Really,
your heart belongs somewhere situated between two forever-moving
people, whose favorite game becomes
tug-of-war with the way you feel.
 
Dinner eventually turns into three-hour therapy
sessions. Family feels more like a game of house that you’re
stuck playing. The same mantra you’ve attempted to live by,
“Nothing’s really going to change, Darling …” is
beaten to a pulp and tossed in the trashcan with leftover dinner.
 
The next few years go by in what feels like
a montage. You’re watching yourself grow up in blinks, trying to
compensate for the sudden loss of childhood.
You feel like you’re still
grieving every part of yourself.
 
You think you deserved a funeral after that day in August,
and you never got one.
There’s an empty grave somewhere with your name on it,
and you’re stuck carrying around the
skeleton that belongs in it.
 
Your parents try their hardest,
but neither of them is around as much anymore. It
becomes your responsibility to raise your brothers and
it becomes your responsibility to raise yourself.
You overwhelm and you break yourself in the process, but
 
you aren’t allowed to cry because everyone
around you needs you to be completely solid.
You feel like you’re holding onto the kid you used to be
while everyone already sees you as
an adult—like you grew up the day everything ended.
 
You feel like you’re splitting down the middle trying
to make yourself belong to two people
who couldn’t get farther apart. With time, you realize
that the insanity was never really put to rest. It was only diluted,
like water on a grease fire.
 
You’re a mother.
You’re a sister.
You’re a teacher.
You’re a role model.
All the while, you’re a kid.
 

from 2023 Rattle Young Poets Anthology

__________

Why do you like to write poetry?

Jaylee Marchese: “I write poetry because it feels natural.”

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August 25, 2023

David Romtvedt

WATERING THE TREES

Seeing the neighbor watering his pear tree,
I see my father watering the mulberry trees
in our yard. Bitter after his day of labor,
he turns away and I wait, imagining he will
speak across the years and space and what
passed between us will pass away. This
is how I live—pleased to hope in vain,
happy I’ll never see my father again.
 
The neighbor starts yelling, face purple, 
the veins in his neck ropes pulled tight.
Same veins in my father’s neck. For him,
it was the bosses. For the neighbor, it’s
the idiot liberals, every one of us. Funny
that he likes me. I like him. Maybe 
we’re changing the shape of the universe, 
irony the literary equivalent of the worm
hole that lets our rocket go faster than 
the speed of light. Drop in and come out
a door that isn’t there until you open it.
 

from Rattle #80, Summer 2023

__________

David Romtvedt: “I’m a musician and poet. Language, meaning, and rhythm drive me in both forms—I write poems that don’t have regular meter but I’m always thinking about how the poems move when spoken. I write party dance music that is metrically very regular but I’m always thinking about using language in ways that will break free of the meter a little.”

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August 24, 2023

Here I Go by Elizabeth Hlookoff, painting of a woman walking into a swirling yellow light

Image: “Here I Go” by Elizabeth Hlookoff. “Fighting the Wind” was written by Teresa Breeden for Rattle’s Ekphrastic Challenge, July 2023, and selected as the Artist’s Choice. (PDF / JPG)

__________

Teresa Breeden

FIGHTING THE WIND

The trick is not to.
Not to struggle, thrusting
the anvil of your
 
body against the
gale, not to compete, but to
sway and bend, threading
 
the edge of the air,
welcoming dishevelment.
Who is in charge of
 
corralling the squall
into meager breezes, these
air conditioned spaces?
 
Who is bold enough
to slam open the windows
let the shouting in?
 
You want to be brave.
But you yearn also to curl
beneath the blanket
 
of wind, a small fold,
your breath a small sigh beneath
the world’s loud exhale
 
and also
to be the window
it shoves into and through, a
portal for the sky.
 
The wind reminds you
of what you can be, tousled
dismantled,
a being
 
that can continually
be remade.
 

from Ekphrastic Challenge
July 2023, Artist’s Choice

__________

Comment from the artist, Elizabeth Hlookoff: “The poem grabbed me and wouldn’t let go. I’m a big proponent of the old ‘less is more’ adage. I love the spare, simple language the poet uses to convey a Zen like wisdom while invoking a way of being. I particularly love the line, welcoming dishevelment.'”

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