August 8, 2023

David Hernandez

REMEMBER IT WRONG

Everyone’s memory is subjective. If in three weeks we
were both interviewed about what went on here
tonight, we would both probably have very, very
different stories.
—James Frey on
Larry King Live

My front four teeth are gone, I have a hole in my
cheek, my nose is broken and my eyes are swollen
nearly shut.
—James Frey, from
A Million Little Pieces

But I was there, 12C, window seat, and there
was no blood anywhere except the blue kind
making blue roots under the skin of our wrists.
From what I recall his teeth were all present,
ivory and symmetrical, one pristine incisor
flushed against the next like marble tiles.
Teeth other teeth aspire to be. I saw no hole
in his cheek but a razor nick or new pimple,
some red blip on his otherwise unblemished face.
Boyish. Babyish, even. The only holes
were the two he breathed from and the one
called a mouth that demanded another pillow,
headphones, club soda, more ice.
His nose was intact, straight as the tailfin
dividing the sky behind us. There was turbulence,
the plane a dragonfly in a windstorm.
My cup of Cabernet sloshed, my napkin bled,
a bag rumbled in the overheard bin like a fist
pounding inside a coffin. I was calm, I fly
all the time, but the man in question
was quivering and paler than a hardboiled egg.
Eyes swollen open, eyes skittering and green.
Or brown or blue. Memory is a murky thing,
always changing its mind. Interview me again
in three weeks and maybe I’ll remember
his wounds, the way my grandmother
gradually put down the knife after she spread
butter on her napkin. Slowly the disease worked,
slowly erasing slowly what her brain slowly
recorded over the slowly decades. Memory
is a mysterious thing, shadow of a ghost,
nebulous as the clouds we pierced on our descent,
Chicago revealing itself in my little window
like dust blown from a photo of someone
it takes you a moment to recognize.

from Rattle #32, Winter 2009
2009 Rattle Poetry Prize Honorable Mention

__________

David Hernandez: “You wrote ‘Remember It Wrong’ in July of 2007. You don’t remember much from that experience other than typing ‘babyish’ for the first time in your life. You wonder why ‘babyish’ isn’t used more often in poetry and why ‘honeysuckle’ stays in fashion despite wearing the same pair of bellbottoms year after year. You remember Toughskins. Their durability. Your grandmother removing grass-stains with a scrub brush.” (web)

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August 7, 2023

Dick Westheimer

SOMETIMES A POEM

 
Sometimes a Poem by Dick Westheimer, poem with various details, hats and shoes appearing

objkt.com | video/mp4

Poems have a life of their own—both in the writing and when out on the town, free of the fetters of the poet.

from Rattle #80, Summer 2023
Tribute to NFT Poets

__________

Dick Westheimer: “I have entered the NFT ‘space’ a skeptic. What does ‘owning’ a poem even mean? Does this play into the scarcity ethos that drives contemporary life? What happens to a poet’s work when it is made immutable—like a struck coin? Predictably, I’ve found no real answers to any of these questions—only more questions—as I explore the world of those drawn to NFT art. I did come to one conclusion: I love the challenge of visualizing my poems and making that visual vivid for a potential reader (although, for me, the poem needs to stand 100 percent on its own before considering for this endeavor). I also find myself curiously drawn to the obsessiveness required to make a minted piece, knowing it cannot be edited.” (web)

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August 6, 2023

Elizabeth McMunn-Tetangco

HAIKU

 
 
 
heat dome
a man’s black speedo
on the sidewalk
 
 
 

from Poets Respond
August 6, 2023

__________

Elizabeth McMunn-Tetangco: “I’m sick of it being so hot. Where I live it isn’t even as bad as it has been in other parts of the country, but it’s still awful. We’ve been alternating between 100 degree days (fairly normal for here in summer) and times when it’s been shooting up to 108 or 110 (doesn’t sound like it’s that much worse, but feels horrible). I wrote this poem driving home one hot night and seeing this exact thing on the sidewalk next to me.”

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August 5, 2023

Wimberly Horan (age 5)

DEAD GRAVES

Dead grevs
in tha midel of nower
but stil sort of preti
 

from 2023 Rattle Young Poets Anthology

__________

Why do you like to write poetry?

Wimberly Horan: “I like to write poetry because it gives me a different way to express my feelings.”

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August 4, 2023

Athena Kildegaard

REPORT FROM A DISTANCE

A tiresome journey
four tires and under
the oil pan
gum we’d drawn
from the ashtray
mintless and stiff
still it did the job
and the tires
did their jolly
revolving and though
there was no
rain the windshield
wipers lay alert
and stiff
good boy
we said whenever
we passed a dog.
 

from Rattle #80, Summer 2023

__________

Athena Kildegaard: “I write poetry because I love words and wordplay, but also because it helps me figure things out.”

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August 3, 2023

Wendy Videlock

OF YOU

You’ve been the wolf, you’ve been the bear,
you were the grass when I was air,
the hush of the lake, eyes and lips,
a shyness at my fingertips,

a motion that knew when to slow,
the forest where I always go;

and now you are the windowsill
I rest my elbows on until
the night grows dark and I can’t see
these silhouettes of you and me.

from Rattle #42, Winter 2013
Rattle Poetry Prize Finalist

__________

Wendy Videlock: “I know nothing about poetry except that it is good medicine for what ails us, gives meaning to what shadows us, and adds weight to what assails us. I am grateful it is persistent.” (web)

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August 2, 2023

Sasha Stiles

WE EXIST INSIDE EACH OTHER

 
We Exist Inside Each Other by Sasha Stiles, those words of the title closing in green
 
We Exist Inside Each Other by Sasha Stiles, those words of the title closing in green
 
There Was This Other Side by Sasha Stiles, those words of the title closing in pink
 
There Was This Other Side by Sasha Stiles, those words of the title closing in pink

opensea.io | video/mp4

Digital textblock based on generative text co-authored by Sasha Stiles and her AI alter ego, Technelegy. 2023. “We exist inside each other” and “There was this other side” are extracted from “Completion: To Write with a Running Brush,” and was first published in The Asian American Writers’ Workshop in a special edition of The Margins in April 2022.

from Rattle #80, Summer 2023
Tribute to NFT Poets

__________

Sasha Stiles (from the conversation): “There are a couple of answers there, some more tactical and logistical and some more conceptual and philosophical and cultural. What first drew me to the blockchain was the impulse to go beyond the bounds of Web2 and the traditional publishing world—to take matters into my own hands and explore creatively what I could do and write and distribute. Rather than trying to fit my existing work into traditional outlets, I could let my work dictate how it made its way into the world. I could, for example, publish an mp4 poem instead of printing stills. I could envision a poem as an interactive or generative text, or a VR piece or AR filter, a browser-based project. These kinds of poems can be adapted to fit in paper journals or even in online zines but can’t fully exist as they’re meant to outside of Web3.”(web)

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