December 26, 2024

Mike White

NASCAR

Not rolling in liquid fire
or pulled apart by physics.
Not between commercials.

But the way an old dog
half-blind
noses around and around

some quiet
apple-scented
chosen ground.

from Rattle #32, Winter 2009

__________

Mike White: “I’ll often begin writing a poem on a subject about which I know little or nothing. This is the ‘mucking around’ phase, and sometimes (usually) the poem founders quickly. But at other times, a poem about, say, rodeo clowns, will take a sudden and unexpected turn for the personal, and then I know I have the bull by the horns.” (web)

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December 25, 2024

Dante Di Stefano

WE THREE KINGS

I slide myself under our tree
like a mechanic in a body shop
& look up through the lights
& ornaments
& artificial limbs
to the tin angel tied by yarn to the top
like a drunken sailor in a crow’s nest
 
& I am done with similes
& I put aside the possible shutdowns
& mysterious drones
& the wars
& the horrible rape trial across the Atlantic
 
& I remember what it was like
to do the same thing
when I was a kid in ’89
not quite a teenager
the year the Berlin wall fell
the year of the Tiananmen Square massacre
the year my father was committed
 
there is so much in the world
we don’t know & block out or forget
 
but I am still looking up
past the delicate bric-a-brac of a life
the popsicle stick & pipe cleaner ornaments
fashioned by my two small children
the candy canes they not so secretly pluck from the boughs
the few glass ornaments that have survived the dog & kids
& I am thinking of how grateful I am
 
how grateful how grateful
 
looking past the spot where another angel should be
looking for a god in the straw
looking past the infant loneliness squalling in my heart
holding the gift of my own ever unfolding naivete
in the manger of my saying
 
o star of wonder.
 

from Poets Respond

__________

Dante Di Stefano: “This is my Christmas poem. Happy Holidays!” (web)

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December 24, 2024

Seido Ray Ronci

SNOW

On my way out the door, my son says,
“Dad, I have to poop.”
After all the work of bundling him up,
“Go ahead,” I say.
He sheds his parka, drops his snow pants,
and mounts the high white seat of the toilet.
I unbutton my coat, loosen my scarf,
let it hang from my neck, and wait.
Almost immediately he calls from the bathroom:
“Papa, check my bottom.”
I lean over the small of his back as he bows,
lost in the flurry of my overcoat and scarf.
I wipe the crack of his ass. He hops off
the toilet and pulls up his pants, I flush,
and see shit on the fringe of my scarf;
disbelieving, I hold it up to the light,
“There’s shit on my scarf!”
He puts on his coat, mittens, and hat.
I’m reminded of the young monk Ikkyu
wiping Kaso’s shriveled ass with his bare hands,
washing his master’s frail body, rinsing
the soiled sheets, wringing them out
day and night till the old man’s death.
I think, too, of the stains on my father’s bed,
the nurses drawing the curtains to clean him,
his sunken eyes, looking into mine, ashamed.
“It’s all right, Dad,” I say.
“It’s not all right,” he says.
My son tromps to the door, flings it open;
a blast of cold air rushes through the house.
I wash the fringe in the sink, tighten
my scarf and raise my collar.
He’s making angels in the snow.
 

from Rattle #25, Summer 2006
Tribute to the Best of Rattle

__________

Seido Ray Ronci: “I am the director of Hokoku-An Zendo and an adjunct professor at the University of Missouri, Columbia.” (web)

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December 23, 2024

Erik Campbell

GREAT CAESAR’S GHOST

I was on my third drink in my mother’s basement
because it was Christmas and my father is dead
 
and took with him the plural possessive
of the basement and the house above it.
 
He was so tired before the end
that he spoke only in Freudian slips.
 
He painted houses and sighed a lot before
he died, and my older brother who is clever said
 
if you divided up his sighs you would have words
but all the words would be a synonym for “sigh.”
 
And when he died I remembered something
funny he said at a restaurant one night:
 
“I bet you Caesar would hate his salad.”
I remembered this and whenever I read
 
a menu, I think of Caesar, pissed
that the Greek salad is superior
 
even though they were punks. It happens
like this. A man becomes a salad joke,
 
becomes drop cloths in the basement draped
over an old bed frame. The drop cloths
 
become abstract paintings I can squint through
and finally sigh to, because a man can’t fail
 
a Rorschach test, even if he’s dead
drunk because it’s Christmas and cold.

from Rattle #37, Summer 2012

___________

Erik Campbell: “I read and write poetry to remind myself that I have a soul that needs a periodic tune-up.” (web)

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December 22, 2024

Dan Rosenberg

CROWDED HEAVENS OVER NEW JERSEY

Even when we drag the trash cans
to the curb, we look up. A nightlife
in the sky. We heard it’s al-Qaeda,
 
we heard it’s the government.
Or China, or a pack of creeps all acting
alone. We have concerns. We have these
 
ammunition bases beside our homes.
We look up even when we walk
our dogs. They come in from the ocean,
 
they follow some logic, they are, we are
sure, many instances of a single thing.
Airplanes don’t hover, stars don’t
 
flash in reds and whites and greens.
We haven’t seen exactly that ourselves,
but the videos! But who can trust
 
the videos anymore? We heard it’s
AI, we heard it’s hobbyists looking
for themselves. Even when we have
 
our neighbors over, we look up. Lights
are lurking in the sky. Surely cameras.
Surely a swarm of mechanical eyes.
 
We hold up our kids, think maybe
we will be famous. What’s strange
must have a single explanation. We heard
 
it’s aliens, Iran, its mothership floating
over the horizon. We are dizzy, our necks
ache. We demand answers we won’t believe.
 
On our crowded beaches, we will not get
used to these crowded heavens. We are used to
nothing being up there when we look.
 

from Poets Respond

__________

Dan Rosenberg: “The current panic over drones seems connected, somehow, to the loss of a shared reality in our country, to the skepticism of expertise that is justified just often enough to leave so many Americans adrift. In the past, when confronted with questions and insecurity, we might have found answers collectively—through community leaders, the government, the local newspaper. How do we make a ‘we’ now, really, with all our institutions in tatters, with so many of us believing in and trusting very little beyond ourselves?” (web)

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December 21, 2024

Julie Price Pinkerton

WHAT IS MY LIFE ABOUT?

This naked, lonely question
is still simmering in a crock pot
on the counter of a beach bungalow
 
where no one lives. But if you like,
I can show you some examples of what falls
out of my life when it’s whacked like a piñata:
 
My friend Emily reminisces about the cat
she used to have, and still misses.
“Clearly, Pippin and I were telepathic.”
 
In my collection of very bad Christmas decorations
there is a cloisonné manger scene with a baby Jesus
who has a snout like a piglet.
 
I have been criticized for always looking downward
when I walk. But in only five decades I have found enough
coins to sink a rowboat.
 
If I were a household object I would insist
on being a gooseneck lamp or the yarn mane
of a toy horse.
 
Most of my prayers are like drive-by shootings.
Please help me. Please save her. Thank you
for the parking spot.
 

from Rattle #45, Fall 2014
Tribute to Poets of Faith

__________

Julie Price Pinkerton: “I am a poet of faith. I’ve never written that sentence before. I was raised in a Baptist church on a gravel road on the outskirts of Brazil, Indiana. All of Brazil, Indiana, is kind of an outskirt. The church of my childhood was weird and toxic. Long story. At the center of it: Our pastor’s son (who became a pastor himself) was a pedophile. Nobody knew this until many years later, but something was off there, and I could tell. I hated going there. I stuck with my faith, though. Went to a really small Methodist college, the University of Evansville. A battering ram hit my faith in God when I was a freshman and our school’s entire basketball team was killed in a plane crash. Among the lost was the boy I had just started dating. But faith was still there, flailing. Post-college adult stuff. Marriage, divorce, the switching of churches, the switching of denominations (within Christianity), jobs, cities, marriage again, and hobbling along with my belief in God, which never leaves, but baffles me repeatedly like a train I can hear blaring somewhere in the woods but I cannot find the tracks. I’m 54 now. And Christ is still the only thing that makes sense to me. My atheist friends find this quaint. That’s OK.”

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December 20, 2024

C. Wade Bentley

STORYTELLING

The morning they saw the body in the river
on the way to school was also the day Jessica
said how she’d known all along that Seth
was gay and she was perfectly fine with it
and Kaylie said well me too but if you knew
why didn’t you say something before we went out
for two months but just before Jessica could answer
was when Jared said what the hell? and pointed
down along the banks of the river where half hidden
in the grass was what they would soon know was the naked
body of a young woman maybe a few years older
than they were and where for a still and silent minute
they just looked at the way her hair had woven
itself into the weeds the way her head would nudge
gently against the shore and then retreat
how the little ripples in this quiet section of water
would splash onto her right hip all purple and grey
shiny and taut with a look on her face
and her wide eyes that said nothing at all
that said I have no opinion I will have nothing to say
on that matter and it’s no use waiting for it you will
tell the police your story now and play it up big
for your mates at school later but you won’t hear it
from me that story that love story that fantasy
I had hoped to tell had begun to tell has now moved
to mid-stream and will be out to sea sooner or later
where old couples who are even now walking
along the shore will pause from time to time
their faces into the wind, listening.

from Rattle #40, Summer 2013

__________

C. Wade Bentley: “There are three things I can count on to make me happy: playing with my grandsons, hiking in the mountains, and writing poetry. Even when the end result of my poetic effort is crap—as it often is—I am never quite so happy as when lost and wallowing in the mud of a possible poem, trying to write my way out. And when the alchemy actually works, that’s a bonus. That’s magic.” (web)

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