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      March 7, 2019Penderecki’s SoulPhyllis M. Teplitz

      While I write,
      I play Shearing
      on Dave’s stereo.
      God, I remember
      those last few weeks,
      him plugged into this,
      his life support.
      How he main-lined Penderecki.
      I imagine his C/T scan showing
      these tuneless passages
      as strange hieroglyphs,
      metastasizing.
      A lab tech would spot it
      as abstract art,
      sell pirated copies. The Guggenheim
      would showcase
      this unsigned masterpiece,
      “Penderecki’s Soul.”
      Cryptologists, musicologists, oncologists
      who came to witness the aberration
      might have thrown up their hands.
      In the O.R. no way they could
      carve out the cacaphony.
      If speakers were attached,
      he would broadcast
      the collage of eerie sounds
      through the hospital. Terrified patients
      would stuff cotton in their ears.
      I suppose he really heard music
      in those CDs—
      some orchestral battle.
      The clash of percussionist armies
      against yearning cellos and violin angst.
      Or maybe just any barrage of loud noise
      would fill the vacuum: his entourage
      of students, gone. Friends, gone.
      His doctors and me, all he had left.
      Tympani battalions only masked
      his real war. No succession
      of specialists could quell
      the insurrections.
      Any more than I could.
      A pair of hands.
      An empty form.

      from #23 - Summer 2005

      Phyllis M. Teplitz

      “When my husband died ten years ago, I attended a creative writing class. It was something to do. Tom Centolella, who taught the class, ignited my passion for poetry. Now, I can’t not write. It’s the way I escape my boundaries. It’s how I know who I am.”