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      July 17, 2015People of the MegabusJustin Barisich

      The plump, elderly woman beside me
      sleeps with chin to her distended chest.
      She rouses from a road bump,
      spots me reading a book of poems,
      and assumes me to be educated.
       
      She asks me to help her spell “shepherd”
      for the bible verse she’s looking up on her smartphone.
      After three tries, we finally get it right,
      and with the fine letters of the good word
      arranged properly once again,
      she’s back to letting herself
      be herded by the good lord.
       
      We make a brief stop
      to exchange westward passengers.
      A man squatting on the bench
      flicks his half-smoked cigarette at me,
      the orange butt kicking my shoe
      instead of searing my aimed-for shin.
       
      I refrain from questioning,
      having learned from hands both first and second
      of the baggage we all carry—
      that his might be loaded
      with something I don’t know how to unpack.
       
      The bus rarely undergoes a shortage of characters,
      but if it can take almost any with reservation
      and all without judgment,
      then who am I to do any different.

      from June 2015, Artist's Choice

      Comment from the artist, Alisa Golden

      “I walked by this scene in downtown Boston, and after five blocks I was drawn back to take the picture. The lines, colors, and shapes struck me, but so too did the strangeness. I had many questions. I hoped that I would find a poem to populate the bench and compel me to return to it, this time for words and answers. ‘People of the Megabus’ drew me back to linger. Guided by the writer’s empathy and good humor, I was able to stop, settle in, and to contemplate the characters in the complex, vivid scene. The collaboration with a stranger reminded me of familiar human failure; the flicking of the cigarette butt was that anonymous insult we’ve all felt at one time or another. The writer also captured the moment when we realize that a person doesn’t really know us. Perhaps that’s the answer: We often feel like that skewed sign—able to be read but with parts hidden or misinterpreted, the picture only partial. With the narrator’s understanding ‘of the baggage we all carry,’ the writer played with words and touched my heart. A contemplative present to carry away.”