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      July 28, 2015Tony GloegglerPilgrimage

      Think of the time you flew
      into Albuquerque, the drive
      from the airport, flat thirsty
      red-brown land spreading
      in all directions, a snow-capped 
      mountain sitting on the horizon,
      the adobe village, an old Navajo 
      driving a creaky bus uphill, 
      reciting rehearsed facts, wounded 
      jokes meant for white folks
      as the sun blistered down on ancient
      dwellings haunted by ghosts 
      of dry-boned medicine men,
      young women who fled to the city,
      bread frying over a high flame.
       
      The faded purple Acamo t-shirt
      is now tucked in your bottom 
      drawer. You were taking a breath, 
      running from your most recent 
      heart wreck, trying to learn 
      what it would mean to leave 
      behind a boy, Jesse, you treated
      as your only son, some future
      you dreamed of building. After
      learning how deep a night could grow
      without New York City lights,
      you woke early and drove hours
      to stand in line with shuffling, hunched-
      over old women who twisted,
      entwined strings of black beads
      in their fingers as Japanese tourists
      dangled cameras from their necks.
       
      You sat in a back pew, watched 
      the women light candles, kneel, 
      then fervently trace the sign
      of the cross while you remembered
      the legend of a bursting hillside 
      light and a local priest finding
      the miraculous crucifix
      of Our Lord of Esquipulos
      in the famished ground, 
      carrying it to Santa Cruz, 
      only to have it disappear 
      three times and return 
      unexplainably to the place 
      it was first discovered. 
       
      You ducked into the sacristy,
      the sacred sand pit, its walls
      lined and cluttered with discarded 
      braces and crutches, hand-
      made shrines attesting 
      to its many miracles. 
      As women with tears shining
      on grateful faces prayed, 
      you grabbed a fistful of dust, 
      placed it in a see-through 
      sandwich baggie, slipped it 
      into the shirt pocket covering
      your heart, and later hid it 
      in your satchel for the flight home.
       
      Further back, you’re the first son 
      of your family’s second generation 
      born in America. Grandparents, uncles, 
      aunts and cousins celebrated
      your every breath as God’s 
      gracious gift until you turned
      four years old and your legs
      grew into heavy, dead weight
      that hurt anytime you walked 
      anywhere. Your parents, fearing 
      polio like your Uncle Dom,
      went to early morning masses,
      lit green novena candles 
      and started collecting money 
      to send you on a pilgrimage
      to Lourdes. Doctors took countless
      tests, kept you in a hospital
      for six months where nuns
      somberly patrolled the halls
      and the kid in the next bed, 
      an orphan, with one wooden leg, 
      one wooden arm, and a pirate hook 
      for a hand, somehow had the same
      last name as yours. Your parents
      brought both him and you gifts,
      talked of taking him home too
      as you grew sick with jealousy.
      When they finally gave a label
      to your disease, they cured it
      with a Frankenstein boot, 
      a leg brace and hours,
      months of physical therapy
      that made you stick out,
      a cripple, separated from the rest
      of the neighborhood kids
      and the money was spent
      on a station wagon to drive
      back and forth to clinic visits.
       
      Then yesterday, after a technician 
      with a hard-to-understand
      Russian accent kept asking you
      to breathe in, breathe out, 
      hold it, now breathe regularly
      while tracing, rubbing 
      a tiny camera over your chest 
      and belly in a chilly room 
      for too long, the cardiologist 
      proclaimed your aorta was too
      wide, susceptible to a rupture 
      that could instantly kill you 
      like the actor who starred 
      in that crappy seventies sitcom
      Three’s Company. He described
      the procedure, the high rate 
      of success and the surgeon 
      as a miracle worker with hands 
      like God, an enlightened plumber, 
      replacing a pipe, tightening a valve. 
       
      Stunned by the news, you sat
      silently. On the subway home, 
      you remembered the actor’s name,
      John Ritter, and remembered
      how good he was in Sling Blade 
      and you wished that you still 
      believed in any kind of God 
      sometimes. You wished 
      you didn’t have to tell your mom
      or miss another visit with Jesse,
      wished you remembered a plumber 
      other than Dan Akyroyd bent 
      beneath an overflowing sink 
      on a lonely Saturday night, 
      the crack of his ass peeking 
      over the top of his pants, 
      poised for the next straight line, 
      laughing at you for ever
      feeling indestructible, safe.

      from #48 - Summer 2015

      Tony Gloeggler

      “A life-long resident of NYC, I was born in Brooklyn but left with my family during the white flight of the ’60s. I grew up in Flushing, now live in Richmond Hill, and helped open a group home for developmentally disabled kids in Boerum Hill, Brooklyn, decades before the quasi cool hordes moved in with their bars and restaurants, laptops, nannies and doggies to mess up one more fine NY neighborhood. Writing started out for me as the place where I got my thoughts and feelings down when I had no other place to bring them. It is still that place, the place I go to first when I’m trying to figure things out, way before I can say something to either myself or anyone else. I wrote this one after some bad, out of nowhere, overwhelming medical news and connected it to times when I remembered feeling very similar. Then after working it out, making it feel as right and true as I could I gave it some air and showed it around, read it out loud …”