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      August 11, 2021Pipeline SurveyorsSean Kelbley

      I resent the men who’ve come
      to mark our land. On breaks they sit
       
      inside their giant pickup trucks,
      engines running so their leather seats
       
      stay hot. Wolf down their Subway
      double-meats like puppies vying
       
      to grow biggest fastest. Not yet fully
      men: mid-20s, college logos
       
      on their too-clean baseball caps,
      Gore-Tex shells un-ripped,
       
      skin paler on the narrow bands
      where rings should be. Oklahoma,
       
      Mississippi, Louisiana—not a single
      local license plate, and someone here
       
      could use the work. I dislike
       
      their easiness. Their casual bro-nods
      when we pass each other on the road,
       
      the way they play the open courts
      at City Rec—not bad enough to pity,
       
      not good enough to outright hate.
      What kind of guys pound ribboned
       
      stakes, paint arrows red and blue
      across a property to show the butchers
       
      where to cut, then just move on?
      I’ve watched them take the measure
       
      of our waitresses at Applebee’s.
      It’s unforgivable, how much
       
      they love their jobs.

      from #72 – Summer 2021

      Sean Kelbley

      “I live and work in Appalachian southeastern Ohio, not half an hour from where I was born. I used to feel that staying in this place I know too well (and one that knows me too well, back) was limiting. Then I grew up. Fell in love and married a man with roots so deep, they couldn’t be transplanted. I live here now by choice, in a house we built together on his family’s land. I wish we had better access to the internet, and that we traveled more, but I am grateful for a life and place that’s taught me how to really listen to, retell, and make up stories. Many hurtful and inaccurate Appalachian stereotypes persist. I hope this tribute will dispel them. But it’s true how much we value, and depend upon, the oral tradition. The poems I’ve chosen to submit arise from voices I have heard—in story, conversation, song. I want to thank the family and friends, the colleagues and students, and the almost-strangers who have shared their truths. They’re just like anyone’s from anywhere, except not quite.”