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      October 1, 2013Poem for the Educated Black Woman Who Asked My Opinion on Shared SufferingLeslie Marie Aguilar

      Not to belong anywhere in particular means somehow
      an ability to go anywhere in general, but always
      as a tourist, an outsider.
      —from Carl Phillips’ foreword to Slow Lightning

      I nurse my Shiner Bock, in an Indiana bar,
      because even though I hate Shiner
      the lemon floating at the top of my glass
      is a life raft—a wedge of soggy yellow
      membranes that carry me back home
      down I-20 through Abilene, Weatherford,
      Fort Worth, and Dallas where I am the majority
      not the minority—but the bitter brown
      liquid slides down the back of my throat
      like the grains of sand that stick to my lips
      during a dust storm. My cells are the same
      as your cells, your cells are the same as my cells,
      our cells are the same as everyone’s cells, but
      here, I am a stain on a laundered white sheet
      dancing a cumbia no one else can hear.
      In Texas, we use barbed wire as clotheslines
      and cactus for hair brushes. We walk barefoot
      over freshly mowed grass and let the caliche
      make molds of our footprints. In Texas,
      tough skin is a product of spit, Goldbond,
      and walking it off. We are the same, but
      alcohol makes my mouth faster than my brain,
      and I agree. We is a federation of bodies that are tired
      of remembering, but won’t stop talking.
      It is history, a claim on language like
      the right to knock the shit out of the gringo
      kid who called me a wetback during recess,
      on our elementary school playground,
      because he didn’t want to touch the monkey
      bars where my dirty hands were swinging.
      I flew off that elevated ladder like a bruja,
      black hair eclipsing the sun, and popped him
      square in the jaw hard enough for his father
      to feel. But, I don’t tell that story.
      My brown pride runs as deep as my hair
      is long, until I pick up a book that tells me
      otherwise. Being educated means I can
      marry a white man and carry his children,
      tell them to be Hispanic the day they fill out
      their college applications, but Caucasian
      as they walk down the halls of a university.
      Tell me again why we are the same.
      Ask me if I want to perpetuate
      my grandfather’s chronic back pain
      by lowering my head towards the ground.
      I understand the need to band together
      in this place where we are outsiders, tourists
      who wear their skin as carry-on luggage, but
      my tongue grows fat in my mouth
      like a red hot salchicha bursting over a flame.

      from #39 - Spring 2013

      Leslie Marie Aguilar (Texas)

      “I was born and raised in Abilene, TX, and am currently an MFA candidate at Indiana University. As a displaced Texan I have successfully managed to ostracize myself in Indiana by using the collective ‘you’ in public. When I’m not writing poems about the winds of the Panhandle, I teach creative writing to uninterested students. However, the expression of understanding on their faces when they finally reassemble Elizabeth Bishop’s ‘One Art’ on large pieces of blue poster board from strips of paper and glue sticks makes me want to teach poetry, and more importantly to write it.”