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      March 13, 2025Poem in Which I BingeDenise Duhamel

      It took me a while to hear
      the term “binge watching”
      without flinching, remembering
      my binge eating
      on East Fifth Street—Cheese
      Doodles or corn muffins—
      whatever was plentiful
      and on sale at the bodega.
      I’d wash it all down
      with Diet A&W Cream Soda—
      two-liter bottles, always
      discounted and dusty
      on a back shelf—then open
      the bathroom window,
      no matter how cold,
      and throw it all up
      before my roommate Anne
      came home. I’d scrub
      my face and say no thanks
      when she asked
      if I wanted pizza for dinner.
      We were grad students,
      too poor to have a TV,
      no place to put it anyway
      in that cramped one bedroom
      where the leaky radiator
      hissed at me in disappointment.
      I slept in the living room,
      no door, just a beaded curtain
      separating me from the kitchen,
      food wrappers shoved
      into the bottom of my backpack.
      Sometimes Anne and I went out
      to the Pyramid or Limelight,
      dancing wildly, where I hoped
      to lose weight. Sometimes
      we’d play Scrabble and I’d score
      a bingo. But after a binge
      I’d tell her I had to do homework
      or grade papers written by my own
      students. There was no such thing
      as a streaming service back then,
      but sometimes I’d watch
      myself from the ceiling,
      leaving my body entirely
      as I pretended to read,
      deep breathing
      minty mouthwash
      and trying to ignore
      the delicious smell of her slices
      from Ray’s. I can’t believe
      you have such discipline,
      Anne laughed. Look at me
      always pigging out.
       

      from In Which

      Denise Duhamel

      “I started writing the poems from In Which after reading Emily Carr’s brilliant essay ‘Another World Is Not Only Possible, She Is on Her Way on a Quiet Day I Can Hear Her Breathing.’ (American Poetry Review, Volume 51, No. 3, May/June 2022) Carr borrows her title from Arundhati Roy, political activist and novelist. In her delightfully unconventional essay, Carr talks about rekindling intuition in poems, offering ‘a welcome antidote to whatever personal hell you, too, are in.’ Carr’s invitation to be unapologetic, even impolite, gave me new ways of entering my narratives. Soon I was imagining I was someone else completely. Or sometimes I looked back at my earlier self, at someone I no longer recognized.”