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      January 15, 2021Poetry WorkshopVivian Shipley

      for Nicole

      I don’t have to ask how a town is doing
      when I walk past store after store
      with undressed mannequins in windows,
       
      some missing an arm at the shoulder,
      a leg at the hip. I don’t want to stifle
      your creativity so I lead class discussion
       
      as if your poem were fiction, even though
      when you unzip the hoodie you hide in,
      I see knobs in wrists and how collarbones
       
      protrude. What I can’t see is if gashes line
      your forearms, inner thighs. There is no way
      I can transform your description of cutting
       
      into metaphor. Beginning with a Popsicle stick
      sharpened like a pencil, you scratched wrists,
      trying to erase insecurities. Seeking emotion
       
      you could control, you inflicted pain to bleed
      out depression that numbed you. Watching
      Pink’s music video, learning new places
       
      on your body to hide scars, you found secret
      friends in tabloid interviews with Johnny Depp,
      Princess Diana, and Angelina Jolie who
       
      talked about cutting. I did not understand
      why you kept razor blades like sacred objects
      in a black velvet box, but details about forcing
       
      yourself to vomit, spitting out ounces were
      only too clear. Shedding blood did not stop
      your obsession about pounds that might
       
      be hiding in your tonsils. You heaved
      and heaved as if you could escape your cage
      of bone. I pictured a beached whale, ribs
       
      jutting from sand, you on all fours, a dog
      above a toilet. In our conference, neither
      of us has anything to say. I want to ask you
       
      to show me your arms, but don’t. To break
      silence, I resist suggesting a skeleton
      costume, but I do say eating food is not
       
      like swallowing injustice. Slicing skin
      to mine your body, were you digging
      for a fossil of yourself? To help you
       
      find a better way to soothe yourself, find
      pleasure, I read William Carlos William’s
      This Is Just to Say. I offer my yellow plum,
       
      a stone fruit, to show how flesh clings
      to the seed no matter how hard it is pulled.
      A child, you liked erasers more than pencils,
       
      would cut your face out of photographs,
      probably stayed spread eagled in snow
      until you were covered. What if you begin
       
      to believe there are calories in the air you
      breathe? I don’t know how to create a body
      you won’t want to cut or try to shed, and I
       
      realize there’s no point in writing, “Please
      see me if you want to talk.” Even though
      death dangles, I don’t know what else to do.

      from #69 - Fall 2020

      Vivian Shipley

      “Many of my poetry students write poems about cutting themselves and eating disorders, which often go hand-in-hand. My concern for the student makes me want to ask if the work is based on actual experience. However, to teach creative writing, I believe I need to pretend all work is an act of creativity and not confessional. Otherwise, I may prevent students from sharing experiences that they don’t want to be seen as personal. In fiction class, this is not a problem. Everyone assumes fiction is, well, fiction, but that poetry is ‘true.’ In my poem, I try to express my conflict about not knowing how to help students who write about self-harm.”