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      November 1, 2023Portrait of the Father as an AlcoholicKaran Kapoor

      The first thing I notice about him
      is the expression on his face baring
      his sobriety is a bubble one can pop
      with a blow. He is a unicorn—a horse
      of addiction with a horn of dedication
      to quit. The days he chooses not to drink
      flake off his shoulders like cracked paint.
      By the time he was my age, he’d burned
      alcohol into his skin. He’s not guilty
      of all he’s accused, but still guilty
      of so much else. Why should I draw
      his portrait in third-person when I
      can in second- which is to say why
      should I paint you in blue when I can
      in sky? For decades, you have smelled
      like areca nut and slaked lime.
      We have amassed wrinkles begging
      you give up. Ma doubts you
      will die a delighted man. As do I.
      As do you. Diamond wounds
      diamond, you say. Why does water
      not wash away water? Poison remedies
      poison, why does wind not blow away
      wind? The despair of not raising a glass
      to despair is an essential precondition
      of despair which echoes higher
      than cheer that comes by confessing
      cheers. Long after you, we will boast
      bruises on our chest to show you
      were here. Now we bathe
      stone in milk, bury a sitar
      in a tree for the wind to strum,
      praying the music will urge you
      to seek help. You’re God,
      you sing.

      from #81 - Fall 2023

      Karan Kapoor

      “This poem is the faux title-poem of the collection I’ve been working on for three years: Portrait of an Alcoholic as a Father. Writing about a troubled external subject is as much an excavation of their deepest flaws as it is a revelation of the writer’s biases. Leonard Cohen, at whose altar I worship, says ‘poetry is merely the evidence of life.’ I think this means that not only is a poem rooted in real life, but that much of real life is understood through a poem.”