Shopping Cart
    items

      April 18, 2015PotpourriLiz Clift

      Once, summer meant my mother’s gardens, filled with vegetables, zinnias, faithful
      four-o’clocks and the fat bodies of bumblebees wedging into snapdragons.
      I could spend hours beneath plants, watching butterflies. The way their proboscis
      unfurled and sucked nectar dry, their glitter wings and lilting flight into forever days.
       
      I’d tease sun-warm cherry tomatoes from their plants, caress
      their perfect globeness, lay them in a basket atop prickly cucumbers,
      green beans, and sweet-smoky peppers with sunburnt sides.
       
      Weeds strangled the vegetable garden first, then the flower garden and summer
      days stopped being endless, and I swallowed secrets, let them eat me alive,
      truth emerging only through the thin skin of my inner wrists, my ribs.
       
      Years later, I’d steal blizzards and minutes and hours and blackout curtain
      summer days in rooms with men who’d wind fingers through my hair
      as I knelt between their legs, my palms pressing against their asses,
      their thighs, tumbling precious gems dug from some dark earth.
       
      And I loved this thing I wasn’t supposed to like, how I could erase
      my body by focusing on theirs, the thrusts, sweat, scars, the way I could
      silence questions with well-placed lips and hands.
       
      And then there was the man who followed me West, into the land
      of big skies and prairies quilted with paintbrush, poppies, patches of prickly pear.
      Who helped me prepare my first adult garden, where nothing grew.
       
      We jousted with uprooted mullein, and stripped lavender blossoms
      in southern Oregon, and he traced my scars beneath a blanket
      of cosmos without ever touching my skin, which burned with want
      at the absence of his fingers, the universe balanced against cerulean sky.

      from Ekphrastic Challenge

      Comment from the photographer, Gail Goepfert

      “The directions taken by each of the poems Tim sent amazed me. What can be done with blue sky and sulfur cosmos! They elicited a botanist reminiscing about a prom date, to Paolo & Francesca to building a cosmos of remainders, to a souvenir from South America and the memory it evoked of once lying on the ground to look up at these flowers as I did to take the photo. All caught me by surprise and wowed me. In the end, I kept returning to read Liz Clift’s poem, my choice for this challenge; it’s arresting. The tension between the rich garden details including the ‘fat bodies of bumblebees wedging into snapdragons’ and the narrator on her knees (‘how I could erase my body by focusing on theirs’) pulled me in. There was so much rawness, nakedness—raw imagery, raw emotion, rawness in wanting. The poet’s voice—exposed and honest. To imagine that orange flowers against her ‘cerulean sky’ prompted this poem!”