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      November 24, 2016PTSDBill Glose

      Photograph: “Family Matters” by Alexandra de Kempf. “PTSD” was written by Bill Glose for Rattle’s Ekphrastic Challenge, October 2016, and selected by de Kempf as the Artist’s Choice winner.
      He loves these make-believe moments in the morning
      when everyone pretends to forget the night before.
       
      His wife, June, in her green dress gathering up papers
      before heading into the office. His daughter,
       
      cross-legged in front of the TV, a cartoon sponge
      dancing on its plasma screen. Outside in the snow,
       
      the flutelike whistle of an oriole hearkens the coming sun.
      Too early and too cold for Janey to wait at the bus stop,
       
      so they squeeze into this shared space like a mouse
      pressing beneath a door jamb. For just a moment,
       
      he almost believes that this snapshot, this image
      pulled from Better Homes & Gardens,
       
      is the truth, the whole truth, and nothing but.
      But then he notices           that the papers
       
      June is fiddling with           need no organizing,
      that Janey,           still as a cemetery monument,
       
      has resurrected the teddy bear                     she’d outgrown
      years before,           and a question slithers
       
      through his torso,                     through the gaps
      between organs,           those spaces
       
      without names. The unanswerable Why?
      whose tail he can never quite grab.
       
      With each tick           of the wall clock’s metronome
      resentment stacks another block
       
      within his throat, a tower that begs
      every black thought to climb up and leap out.
       
      Knowing a mind can fracture
      into a thousand-piece puzzle
       
      whose seams                     refuse to snap together again
      never stops the picture           from shattering,
       
      knowledge buzzing like a mosquito in his head.
      Buzz           buzz           buzz
       
      and then           that familiar stab
      into a juicy bit           of amygdala.
       
      He launches           off the couch,           screams,
      stabs the air,           wields the prongs of his blame
       
      like a pitchfork.
      When all he loves has emptied
       
      from the house,           when the drum of blood
      has slowed its cadence to a crawl           and silence
       
      rolls over him like a fog,           memory will rise
      like a zeppelin nosing toward a black clouded bank,
       
      toward everything
      he’s tried so hard to forget.

      from Ekphrastic Challenge

      Comment from the artist, Alexandra de Kempf

      “As an interpretation of my work and as a story with no end. No end to the PTSD, with which my husband, my child and I, are still struggling. It is not as dramatic as we have seen sometimes on TV. At least no blood has ran. But reality can be very subtle. There are no more weapons than words, a sharp tongue and the noise. But the wounds are visible, and the scar tissue too. Thank God, words can heal, too.”

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