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      July 31, 2015Sappho’s BraceletsDiane Wakoski

      So angry at the Corvette sun
      and its draining over the Pacific surf,
      the kelp bed hovering like frigate birds beyond
      the rocks, no conqueror gazing over
      the bronze shield of water,
      and certainly the boy
      driving a fast car with the windows rolled up:
      so angry she couldn’t hear.
      Yet California takes its price
      and puts us all in slave bracelets.
      A whole jangle of them, starfish hoops
      of silver, cobalt, crimson
      glissando-ing up and down the tidepool wrist
      throwing dice or waving
      good-bye.
      You can forget sea roses
      because she wasn’t angry about flowers,
      and her flushed face that I saw
      looking through my bracelets
      was about foolhardy
      expense, how he threw away his life
      for a woman’s ankle,
      her soft bare foot walking
      his beach at dawn.
      In fact, she didn’t even hear
      the liquid tinkle of bracelets on my arm,
      didn’t know that I touched something
      I should never have; didn’t know
      I would be driving away so fast on the Coast Highway
      and then into canyons, and down into the heart
      of America. For, none of us knows
      what little image will
      lure someone away from the ocean.
      He never left, but she did
      her face still flushed with the impossibility
      of so many extravagances. Now the table
      is set, though no one dines.
      My bracelets writhe, crash down my wrist
      to engulf my hand. Metal cool
      as dawn. Even that much anger
      can disappear.
      But no one outlives
      old age, or these images as sensuous as a bare foot on
      sand, the rime of a previous surf line,
      a feather,
      a kelp pod,
      someone who could be him but isn’t,
      standing in the morning fog.

      from Issue #13 - Summer 2000

      Diane Wakoski

      “My poems are my secret garden, where I can be a girl wandering in a Southern California orange grove, a sorceress sailing between islands with the Argonauts, or a woman in a ’70s bar, waiting for the Motorcycle Betrayer to put his hand on her shoulder. The garden is confined, but not limited. I never get tired of sitting in this garden, knowing that only those who have the key can unlock the gate and join me inside.”