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      February 16, 2015Save the Human RaceChristine Potter

      Although she never did before, my mother lies.
      She doesn’t have dementia. She answers questions
      like someone drinking white wine at a dinner party,
      pretending to have read the best-seller: Of course
      I went to church! There was a skirt, she says, and
      a dress—the same pattern? Red. I wore one of those.
      The one we tried on Friday? I ask. A silence.
      She takes a breath, relieved: Yes! The secret she
      doesn’t have is safe. My father has been counseled
      not to argue with her, or has his hearing aid off.
      I think he’s going to say North Korea is planning
      to nuke Hawaii, where my sister is on vacation, but
      he’s into economic inequality and arthritis instead.
      At least I don’t have to explain why I believe this is not
      the worst time civilization has ever known, remind
      him to take his pain-killers, cite the Civil War or
      the Black Death. He’s in a good mood. He tells me
      about the diversionary mission he never flew with
      his Air Force unit, the medical discharge just in time.
      I feign surprise; he’s shared this secret with my sister,
      not me. So now we both know, I type into the email.
      Dad wouldn’t have been one of the few survivors.
      I think about not being anything at all, a missed beat,
      a bright white screen with nothing on it. I hit send.
      Outside, little brown and grey birds peck at the feeder.
      A young hawk, mumbling his hunger, misses them
      and takes off. And a jet in the cloudless sky is a silver
      brooch on a white ribbon, up so high I can’t even hear it.

      from #45 - Fall 2014

      Christine Potter

      “About ten years ago, when my husband and I were making music in a high Episcopal church that was much into incense and bells, I sat in the choir loft and felt the connection between poetry and Scripture. It was a visceral thing, an awakening. In fairness, I may have been slightly oxygen-deprived at that moment (they were really into incense and bells there), but I still think of the two together. I believe in God and I believe in His presence here on earth in Jesus Christ. And I write poems. I think the spirit that makes poems happen is holy, even if the poetry is utterly profane. And even if you’re not choking on clouds of frankincense when you write it.”