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      February 16, 2021SawdustJudith Tate O'Brien

      There are many ways to kneel

      and kiss the earth
      —Rumi

      At his workbench, my Catholic husband
      becomes a Buddhist practicing mindfulness.
      As if entranced, he attends the hammer’s
      rhythmic up-and-down. He feeds the planer
      a plank of cedar. Beside a Folger’s coffee
      can of nails on the windowsill, the clock
      ticks the present tense: is, is, is. When he
      walks to the table saw, he moves deliberately
      like an egret stepping into its own watery
      reflection. There he contemplates the sawness
      of saw. He doesn’t brush off the sawdust
      film falling all over him like a coat of serenity.
      Sometimes he makes a rocking cradle,
      sometimes a porch swing for us to sit in.

      from #22 - Winter 2004

      Judith Tate O'Brien

      “When I was in 10th grade, the visiting Catholic School Superintendent, a stern priest, recited Francis Thompson’s The Hound of Heaven, stepping the cadence across our classroom floor—and I was moved to tears. To think that language could soften so hard a man! I became a convert to poetry. That’s why I write.”