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      September 1, 2021Segments of MemoryFrank Beltrano

      If I googled hard and long
      I could probably find the poem
      Tim from Rattle liked so much
      about the smell of a peeled orange
      filling a whole room
      filling one’s senses
       
      but maybe it’s enough
      that a few words like zest and pith
      from that half-forgotten poem
      fill my mind
      with the smell of oranges
      bringing back cool memories
      of my long-dead dad
       
      like a man in a dream
      alone he sits on a chair
      in a room in heaven
      peeling oranges
      with a knife so sharp
      it sings in a soprano key
      when he drags it across
      the honing steel.
       
      His are fat fingers
      and thick palms
      dry and calloused
      gentle and strong.
       
      Gracefully, he liberates a spiral of orange peel
      paring the peel from the pith.
      It is a long spiral of the colour orange
      extending to the floor.
      It eventually falls to the floor
      and he looks up to say,
      “That is how it is done, my son.
      Would you like a segment, now?”
       
      But beyond this generosity
      I also remember he humbled me
      buying oranges at the Dominion store.
      I was about 10, undoubtedly cute
      and the cashier, a woman about his age
      said something to me
      interrupted my reverie
      of Dad and me shopping for oranges
      and I said, “What?”
      and he said, “Don’t be rude. Say
      I beg your pardon.”
       
      For years I never knew just what
      that was all about
      the only time he ever
      played etiquette cop
      and it hurt.
      I have grown to believe
      he only meant to flirt
      with the cashier who smiled
      rang in our oranges
      said goodbye as we left.
       
      Recently I saw myself
      as never having learned
      the lesson. I still say, “What?”
      even to the person I love the most
      in all the world, my wife.
      She says, “Blah, blah, blah, blah”
      and I say, “What?”
      And she has grown to be cross about it.
      “You don’t listen to me,” she says
      and she is right.
       
      She’s like an opera
      and I love the playfulness
      of the orchestra, the motion
      of the conductor’s baton
      the sound of the soprano
      so much so, it doesn’t matter
      that it is in German or Italian
      and I yell “What?”
      when it is all over
      instead of “Bravo”
      and she throws me out of the theatre.
       
      Maybe Dad was teaching me
      if you want to impress someone
      you say, “I beg your pardon.”
      I’ll try that. Dad taught me
      by example not to flirt too often,
      to love your partner, and gladly
      peel her oranges so she can make
      juice from them, pith and all
      as was Mother’s way. He offered her
      a segment which she called a speagle
      which is, in fact, a dog
      a hybrid mix of Beagle
      and English Toy Spaniel
      which was her mistake
      that he never corrected
      not even prefaced with
      “I beg your pardon.”
       
      And I have googled long and hard
      trying every spelling of speagle and
      Speigel and speegle that I can imagine
      only to find mutt dogs
      German magazines
      but nothing about oranges
      pith nor peel
      not even candied zest
      which is something
      Mother kept in her cupboards
      for the baking of fruitcakes
      soaked in brandy.
      I beg your pardon, Mother.
      Call orange segments
      what you want. I remember
      your cakes, the taste of brandy
      and candied zest in my mouth.

      from #72 – Summer 2021

      Frank Beltrano

      “I write poetry because it makes me happy to imagine someone else imagining my voice as they read these words. Poetry is a way to bridge the gap between like-minded and even not so like-minded people. I want to thank Sheree Fitch who wrote the prompt that inspired this poem, Katherine Burgess and Tricia Arden Caldwell who gave me first-draft feedback, and mentor Peter Murphy, the village that helped me write it.”