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      August 19, 2021Self-DoubtTamara Raidt

      Image: “Waste” by Lynn Tait. “Self-Doubt” was written by Tamara Raidt for Rattle’s Ekphrastic Challenge, July 2021, and selected as the Artist’s Choice.
      I am not a real poet says the poet
      writing about birds and images.
       
      A bird, fluttering in a made-up
      horizon doesn’t wonder if it belongs there.
       
      I am not a real bird says the bird that is
      a figment of the poet’s imagination.
       
      The evening sky has a peculiar way
      to be torn in pieces while still
       
      making sense: take this as the best
      example of how human life is made.
       
      Have you asked yourself
      who is watching the picture?
       
      If not you, the bird. If not the bird,
      you. Between both stretches
       
      a moment of hesitation named
      sea. This whole scenery may be
       
      taking place in the synapse
      of a painter, but the brush hits you
       
      harder than the axe the frozen sea;
      then, one sane instant brings clarity:
       
      there is no bird, just a dark spot
      on the retina that you wanted to mistake
       
      for something else. It isn’t the sea,
      it is the memory coming back
       
      unwanted in the shape of the sea.
      The ones who have suffered
       
      will see it differently: not a bird,
      but a plane and towers on fire,
       
      it is true: trauma hits in waves
      of salt and sulfur.
       
      Take this as a token for the uncertainty
      lying in things. Take this as
       
      the ultimate image of self-doubt:
      an ethereal setting of a sunset,
       
      and a poet, in the body of a bird,
      wondering if he belongs there.

      from Ekphrastic Challenge

      Comment from the artist, Lynn Tait

      “What a difficult choice! I wish I could have chosen them all! Very surprised my photo art prompted so many relationship poems especially about mothers. I expected more poems focused on climate change and the environment, yet I ended up choosing ‘Self-Doubt’ with its sense of isolation, questioning one’s purpose, one’s identity in general and as a poet, reminding me of Zhuangzi’s dream of transformation but much darker. What is real, what is imagination? Can one believe what one sees? Different views, different perspectives, the suffering and uncertainty of life. Where do I belong?”