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      April 13, 2020Gabrielle OteroSelf-Portrait, Despite What They Say

      Being a Latina from the Bronx means:
      I am everybody and nobody at the same time. I know the sound
      waves of the train tracks better than my father’s voice.
      I look like I should speak Spanish but nobody ever taught me.
      I look like you should want to bend me over but you try not to
      think about that as I walk by.
      I disappear in a crowd on the 6 train.
      1 in 5 of me will die
      from nothing in particular.
      Nobody will remember us. Most of me is trying
      to just get by without hearing the name of someone I could be
      related to in the news because they were shot or stabbed.
      I am starting to think in tragedies.
      Maybe then it will be less
      daunting when they happen.
      I am starting to resent the part of me that believes the man
      who told me my biggest accomplishment at 25 years old was
      not being pregnant. He does not see me
      bent over the kitchen table at 2 a.m. reading Audre Lorde.
      I want to rewrite that safety slogan
      printed at every subway station so it says:
      When you see something (in someone), say something.
      We have to tell ourselves every day who we are
      or else we become what they make us.
      It is not lost on me that my mother and my mother’s mother
      were both secretaries and brown women,
      and her mother before that
      used to work in a dress factory,
      and her mother before that, also a brown woman,
      used to tell time by how many rags she could beat clean before dark.
      And if you go far back enough there was a woman
      who was either the slave or the owner, but nonetheless came by boat
      or perhaps, she was already here
      bent over the dirt like a damp flower, kneading it with her whispers
      when the land was called something else, but in the records
      they say it was nameless.

      from #66 - Winter 2019

      Gabrielle Otero

      “A few years ago, I was having a conversation with a Latino man when he commented that at least I made it out of the Bronx and to 25 without getting pregnant. This poem stemmed from that moment and is an accumulation of all those moments when my identity as a female Latina from the Bronx was dictated to me by both fellow Latinos and others outside the community. My identity is whatever I say it is. It is fluid. This poem is a rebellion.”