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      May 18, 2023SestinaAmanda Quaid

      Image: “All of Us” by Lou Storey. “Sestina” was written by Amanda Quaid for Rattle’s Ekphrastic Challenge, April 2023, and selected as the Artist’s Choice. (PDF / JPG)
      We buried him behind the church
      before the carnies came to town.
      Now at night, you can hear the laughter
      all the way to Lover’s Lane and past my house.
      I miss the quiet, if I ever really had it.
      They tell me it’s the sound of progress.
       
      My Daddy once measured my progress
      on a worn-down wall inside the church.
      He used a pencil to mark it,
      confirming that I was the shortest kid in town.
      Then he drove us back to our house—
      the way was longer then—and laughter
       
      bandied back and forth between us, laughter
      like there had been progress
      toward something like friendship, our house
      a little more like a home than a church
      that day. At that time in our town,
      men kept to themselves, and that’s all there was to it.
       
      I’ve heard there’s a village, though I’ve never seen it,
      where boys run naked by the sea, and laughter
      tumbles forth from the carnelian huts in town.
      On warm June days, I wonder if progress
      will take me there, where church
      can be found not in a building or house
       
      but in bodies, in eyes and in beauties that house
      secrets, and some days I want that so much that it
      hurts. Could bodies be church,
      I wonder, could voices, could laughter
      be church, and is it a yielding to progress
      to forfeit this town
       
      and find, I suppose, a different town,
      a brightly-colored candy apple house
      where I could feel the call of progress
      move in me and with it
      joy and life and song and laughter
      in this body I could come to call my church?
       
      But a town, in spite of progress, has a gate, and it
      becomes a little higher every year. At night, the laughter
      reaches all the way to my house past the church.

      from Ekphrastic Challenge

      Comment from the artist, Lou Storey

      “I don’t paint to know myself better, but the poem ‘Sestina’ somehow excavates a hidden (and true) foundation of emotion beneath my painting ‘All of Us,’ offering a narrative fueled with longing, a need to be free of all unjust measures, to be someplace ‘where boys run naked by the sea, and laughter / tumbles forth from the carnelian huts in town’—a place unreachable, like the ‘candy apple’ house, a landscape of if only. This poem prompts a kaleidoscope of feelings and I love that.”