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      July 10, 2018SettlingPaula Sergi

      I want to wake in a place old
      enough to know crumble, a house
      built with lath and mortar,
      that sloppy concoction of sandy
      glue oozing between little strips
      of thin wood. In any corner
      you’ll find walls defying “plumb,”
      honoring gravity, some cracks
      creating the face of a woman in repose,
      the shape of a moose, his hairy neck
      crooked as a boxer’s nose.
      Maybe an old dog left chemical
      traces of his wag, elemental evidence
      of loyalty embedded in the oak’s grain,
      his claws’ happy scramble etched
      where the varnish has faded.
      Those planks, weighted with work
      boots and real leather heels will tilt
      off center, the way a gaze through
      window panes made before glass
      was perfected will distort the view
      so any gaze is like peering
      through soap bubbles. Too much
      is made of the sleek caress of new
      drawers that open on cue. How else
      to locate fortitude but through
      the nagging knot of failure at the fourth
      or fourteenth try? Give me a path
      of settling flagstone, something
      to stub my toe against, to learn
      negotiation, the patient splinter
      saving itself for my foot, ignoring
      the fleshy heels of all who passed before.

      from Issue #16 - Winter 2001

      Paula Sergi

      “Lately I’ve been enjoying the interaction between sound and meaning, the dance between these two elements of language. I’m usually surprised when I find that I might have something going, that there might be a tune or a pattern. The challenge is to recognize when the dance is over—or that there’s really no music playing at all.”