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      June 16, 2015Simple Tanka Prose for the SeasonsCharles Tarlton

      Harusaki
      On the probing black finger ends of maples now the palest buds where someone has dusted them with green icing sugar.
      as from a distance
      when the faint sounds of voices
      come to you
      before you’ve been through the gate
      and into the stadium

       

       

      Atsui Natsua
      The breeze that urged the curtains to and fro was thick, hot, and wet, and a single buzzing bee was caught there between the wire screens and the partly open glass.
      weddings being planned
      under a sweet profusion
      of flower scents
      intoxicating even
      more than the purest love

       

       

      Akibare
      On both sides of the street these tall deciduous crowns are electric with color—the reds like scarlet church glass, yellows dense as new butter, and purples, O purples like heavy old wine.
      sun in such clear air
      there’s a bite and a crunch
      under foot out here
      beauty of unmasked pigments
      the sugared ruby sap

       

       

      Tōji
      Everyone aboard the ship was anxious. We were late leaving Southampton and now there was a danger of storms in the north Atlantic or maybe even a wandering winter iceberg. We watched the land sink into the ship’s cold wake until there was only the sea around us.
      late winter, the ice
      around Lake Ontario
      hovers in wind-wave
      sculptures frozen in the air
      not cresting until spring

      from #47 - Spring 2015

      Charles Tarlton

      “I have been writing tanka prose for the last seven or eight years. Before that I wrote poems mostly in a neo-modernist style, some of my heroes being Wallace Stevens, Pound, and John Berryman. My purpose is to develop and bend tanka prose to the larger services of contemporary poetry in English.”