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      January 28, 2019So We Meet AgainRobert Wrigley

      What are you doing here, snake?
      Coiled atop a cold cistern
      chilled by what fills it, your eyes,
      which never close, covered by
      a scale called a spectacle,
      appear to be looking out
      over the gully that drains
      the spring, though your retinas,
      which do close, may be shut tight.
      It’s a brisk April morning.
      I’m carrying a gallon
      of bleach to “treat” the system.
      You lie there among the stones
      that hold the cistern lid down.
      so you will have to move now.
      Or be moved. My first few prods
      with a stick do not rouse you,
      but the fifth or sixth one does,
      and your tail full of rattles
      springs up in its warning whir,
      just beside your wedge of head.
      And when I poke you again,
      all your winded coils respond
      at once in every direction
      and simultaneously
      in order to propel you
      southward, over cistern lip
      and into the five-foot drop
      to the muddy ground below,
      where you stay a little while,
      stunned and probably still cold.
      Splash from the overflow pipe
      cannot help in this regard,
      but I’ve brought a bucket too,
      to dip out ten or fifteen
      gallons and let the chlorine
      do its poisonous business
      without excess dilution.
      I confess I am tempted
      to toss the first bucketful
      on you, to drive you away,
      but I’ve already disturbed
      your sleep, if that’s what it was,
      and you are beautiful there,
      shimmering in the spring mud.
      And by the time I replace
      the cistern lid and the stones,
      the slenderest shaft of sun
      has breached the dense canopy
      above us and shines on you
      and warms you enough you move
      in slow elegant esses
      down into the narrowing
      gully, where you’ll spend your day
      waiting, among blackberries,
      ferns, and blossoming sumac,
      for a mouse, much less watchful
      than I am, to blunder by.

      Robert Wrigley

      “By this point in my life—I’m almost 67, retired from four decades of teaching—it feels like writing poems is still pretty much what it has always been for me: both a way of being alive, and a way of staying that way.”